Movie Suggestions by Studio

The story of the Von Erich family is excruciatingly sad, but Iron Claw doesn’t dive right into the tragedy. Instead, it takes care to paint a picture of a close-knit family that’s filled with just as much warmth, jealousy, affection, and resentment as the next bunch. Durkin masterfully draws you into their circle so that everything that happens next is sure to cut deep. The choreography, chemistry, color—everything is carefully and beautifully set up, but the casting is what stands out the most. This wouldn’t have worked as well if it weren’t for the inspired move to pair Zac Efron, Jeremy Allen White, Harris Dickinson, and Stanley Simons as brothers and partners. On the internet, people have been dubbing The Iron Claw as “Little Women and The Virgin Suicides for men” and it’s not hard to see why. Apart from the sibling bond over glory and growing pains, all these films are also powerful explorations of gender. Iron Claw is a vicious takedown of toxic masculinity, while also being a searing family drama and an incredible showcase for Efron and company.

Genre: Drama, History

Actor: Aaron Dean Eisenberg, Brian Hite, Cazzey Louis Cereghino, Chad Governale, Chavo Guerrero Jr., Chelsea Edmundson, Christina Michelle Williams, Garrett Hammond, Harris Dickinson, Holt McCallany, Jeremy Allen White, Jim Gleason, Jullian Dulce Vida, Kevin Anton, Kristina Kingston, Lily James, Maura Tierney, Maxwell Friedman, Michael Harney, Michael Papajohn, Mike Dell, Ryan Nemeth, Scott Innes, Stanley Simons, Zac Efron

Director: Sean Durkin

Rating: R

This stagelike historical drama is about a meeting between Malcolm X, Jim Brown, Sam Cooke, and Muhammad Ali, the night Ali became world champion and announced he became Muslim.

And here is the thing: Malcolm X and Muhammed Ali have been portrayed many times in film, but never with this much nuance. Their relationship with each other is often frictional and their relationship to their faith is recognizable: they're not always sure about it, and they take breaks.

Ali smuggles alcohol without Malcolm knowing, Malcolm is accused of being obsessed with celebrity (and later of colorism), Jim Brown is insecure about being an actor, and Sam Cooke wishes he wrote a Bob Dylan song.

Genre: Drama

Actor: Aaron D. Alexander, Alan Wells, Aldis Hodge, Ashley LeConte Campbell, Beau Bridges, Chris Game, Christian Magby, Christopher Gorham, Dave Pileggi, Derek Roberts, Dustin Lewis, Eli Goree, Emily Bridges, Hunter Burke, Jason Ament, Jeremy Anderson, Jeremy Pope, Joaquina Kalukango, John Curran, Kevin Reid, Kingsley Ben-Adir, Lance Reddick, Lawrence Gilliard Jr., Leslie Odom Jr., Mark Allan Stewart, Matt Fowler, Michael Imperioli, Nathan Siebring, Nicolette Robinson, Nola Epps, Pierce Lackey, Randall Newsome, Robert Stevens Wayne

Director: Regina King

Rating: R

Ahmed plays Ruben Stone, a heavy metal drummer, who plays in a band and lives in a tour bus with his girlfriend Lou (Olivia Cooke). Quickly after meeting the couple, we witness the touring musician drastically losing his hearing. As recovering addicts with little financial means, they soon run out of options. Lou desperately wants to prevent Ruben's relapse into addiction and so she helps him retreat to a deaf community group home, run by the illustrious Joe, a truly amazing character played by the equally amazing Paul Raci, himself the hearing son of deaf parents. There is something deeper going on though: the question of what disability is, and how, despite how it drastically changes Ruben's life, it might not be his biggest problem. In addition to the stellar acting and delicate writing, we experience his condition through the incredible sound design used by director Darius Marder, complete with muffled conversations, garbled noises, and piercing silence. This is a movie to be taken in completely. Above all, it's about Riz Ahmed's performance. He learned to play drums, sign language, and studied deafness ahead of the shooting, and he does not strike a wrong note.

Genre: Drama, Music

Actor: Alan Resnic, Bill Thorpe, Chelsea Lee, Chris Perfetti, Domenico Toledo, Ezra Marder, Hillary Baack, Jamie Ghazarian, Lauren Ridloff, Mathieu Amalric, Michael Tow, Olivia Cooke, Paul Raci, Rena Maliszewski, Riz Ahmed, Sean Powell, Shaheem Sanchez, Tom Kemp, William Xifaras

Director: Darius Marder

Rating: R

The Teacher’s Lounge is one of those movies where a simple misunderstanding is blown out of proportion, so much so that it causes the fabric of a community to unravel into chaos. Aided by a precise score, it ticks like a timebomb, with every second filled with so much dread and anxiety you have to remind yourself to breathe. It’s an impeccable and taut thriller, but it also works as an allegory about modern-day surveillance and authority. Director İlker Çatak gives the Gen-Z students and their much older teachers a level field where they struggle for control, and the result is both bleak and funny. It’s often said that schools are a microcosm of the real world, but nowhere is that more apparent than here. 

Genre: Drama, Thriller

Actor: Anne-Kathrin Gummich, Antonia Luise Krämer, Eva Löbau, Katharina M. Schubert, Kathrin Wehlisch, Katinka Auberger, Leonard Stettnisch, Leonie Benesch, Lisa Marie Trense, Michael Klammer, Özgür Karadeniz, Rafael Stachowiak, Sarah Bauerett, Uygar Tamer

Director: İlker Çatak

Rating: PG-13

Based on the Austrian novel, The Piano Teacher is as brilliant and as disturbed as its protagonist. The film follows Erika Kohut (Isabelle Huppert), the repressed masochist in question, and the trainwreck of a relationship that she develops with her student Walter Klemmer (Benoît Magimel). Their dynamic is undeniably toxic. Austrian auteur Michael Haneke frames each scene with clinical detachment, but it is absolutely brutal how the two characters try to assert control over each other, engage in sadomasochism, and repeatedly violate each other’s boundaries. Huppert’s heartrending performance fully commits to the merciless treatment Erika receives. But more tragic is the way Erika’s unusual relationship could’ve freed her, could’ve helped her process her abuse, and instead, reinforces her repression. It’s scary to make yourself vulnerable by admitting your desires, only for them to be used against you.

Genre: Drama, Romance

Actor: Anna Sigalevitch, Annemarie Schleinzer, Annie Girardot, Benoit Magimel, Cornelia Köndgen, Dieter Berner, Eva Green, Gabriele Schuchter, Georg Friedrich, Gerti Drassl, Isabelle Huppert, Karoline Zeisler, Klaus Händl, Liliana Nelska, Michael Schottenberg, Rudolf Melichar, Susanne Lothar, Thomas Weinhappel, Udo Samel, Vivian Bartsch, William Mang

Director: Michael Haneke

Rating: R

If you’ve ever seen a movie by kings of social realism Ken Loach or the Dardenne brothers, you’ll recognize the cinematic tradition The Measure of a Man is coming from, but if you haven’t, don’t fear. The filmmaking here isn’t complicated, academic, or laden with references — in fact, the opposite is true. Stylistically pared back, the intensely modern and human story at the movie’s center expands to fill the frame so we have nowhere else to look.

With a disabled son to provide for, middle-aged Thierry (Vincent Lindon) desperately searches for a job, undergoing several state-required indignities — such as practice interview sessions in which fellow jobseekers critique everything from his body language to his tone of voice — just for a shot at being able to pay his bills. So many scenes and conversations here are palpably laden with the anxieties of real life, both economic and personal. And yet, for all the dehumanization and desperation clouding its edges, Measure of a Man isn’t a hopeless movie. We’re reminded by happy scenes at home just how rich Thierry’s life is, unemployed or not — but it's perhaps his moral compass, which begins to twitch when he takes a security job with an unscrupulous corporate employer, that’s most heartening of all.

Genre: Drama

Actor: Christophe Rossignon, Karine de Mirbeck, Mathieu Schaller, Soufiane Guerrab, Vincent Lindon, Xavier Mathieu, Yves Ory

Director: Stéphane Brizé

Danish writer-director Lars von Trier concludes his so-called Depression trilogy with the two parts of Nymphomaniac, an elaborate retelling of the life of a young woman (played by Stacy Martin and then, by Charlotte Gainsbourg) lived from one libidinous pleasure to another. The film's elaborate subplots have a life of their own and flashbacks often take center stage in Joe's auto-narration. Nymphomaniac I introduces the audience to adolescence and early adulthood, through disappointments, adultery, death drive, and extreme ambivalence. Joe's process of self-actualization seems contested and inspiring at the same time, and Gainsbourg is really given the screen time to shine; even more so than in Trier's previous psycho-social drama, Antichrist. Typically for the rich treasury of cultural references, Bach, Edgar Allan Poe, and Fibonacci play crucial parts in reconstructing the symbolic planes in Joe's story. Oh, and Part One opens with Rammstein's "Führe mich", which in itself is an perfectly valid reason to give it a go.

Genre: Drama

Actor: Ananya Berg, Anders Hove, Andreas Grötzinger, Charlie Hawkins, Charlotte Gainsbourg, Christian Slater, Christoph Jöde, Christoph Schechinger, Clayton Nemrow, Connie Nielsen, Cyron Melville, David Halina, George Dawson, Hugo Speer, James Northcote, Jamie Bell, Jeff Burrell, Jens Albinus, Jesper Christensen, Jesse Inman, Johannes Kienast, Jonas Baeck, Markus Tomczyk, Mia Goth, Michael Pas, Nicolas Bro, Peter Gilbert Cotton, Saskia Reeves, Shia LaBeouf, Simon Böer, Sofie Kasten, Sophie Kennedy Clark, Stacy Martin, Stellan Skarsgård, Tomas Spencer, Uma Thurman, Willem Dafoe

Director: Lars von Trier

Rating: Not Rated, NR

The magic of this movie — and every other one directed by Aki Kaurismäki — is in the way it inspires so much hope despite the darkness of its subject. When a man (Markku Peltola) is beaten and robbed one night, he wakes up without any memory of who he is. Forced to start life all over again, he’s subjected to yet more cruelty at the hands of a greedy slum landlord and callous authorities, but finds sympathy and support from his equally downtrodden neighbors. Though the street thugs have emptied his wallet, the unquestioning generosity of the people around him suggests he’s now richer than he was at the film’s outset — as does the sweetly simple romance he strikes up with a lonely Salvation Army worker (Kati Outinen). 

Kaurismäki doesn’t just make films about the disenfranchised for the sake of it: he shows us how easy — and yet momentous — acts of human kindness and solidarity can be, how radical they are in a bleak world. It’s not often a movie can so persuasively reassure us of people’s inherent goodness, but it’s even rarer still for it to be done with as much deceptive, charming simplicity as here.

Genre: Comedy, Drama, Romance

Actor: Aarre Karén, Aino Seppo, Andrey Chernyshov, Anneli Sauli, Antti Reini, Elina Salo, Esko Nikkari, Janne Hyytiäinen, Juhani Niemelä, Kaija Pakarinen, Kati Outinen, Liisa Mustonen, Markku Peltola, Olli Varja, Outi Mäenpää, Panu Vauhkonen, Pentti Auer, Pertti Sveholm, Sakari Kuosmanen, Silu Seppälä, Sulevi Peltola, Vesa Mäkelä

Director: Aki Kaurismäki

Though the drag scene is alive and well today, Paris is Burning is an important reminder that it didn’t always used to be that way. Over the course of seven years, Director Jennie Livingston leads us underneath the crime-ridden streets of 80s New York, where a glittery drag subculture is flourishing, despite all odds. Leading the community are the so-called mothers, the best performers and most fashionable of them all, tasked with inspiring and caring for newcomers. Nevermind that they’re shunned by society and suffocated (sometimes literally) by hateful homophobes and racists; when there is a ball, all that matters is that they strut, dance, and put on the best damn show of their lives. What they do is art, and Livingston makes sure to exalt the craft and pride that goes into it. At the same time, intimate interviews with iconic queens like Pepper LaBeija and Willi Ninja reveal the heartbreaking nature of the community. Most, if not all, have endured some form of abuse, and many risk their lives to earn a decent living. But again, Livingston refuses to reduce them to pure tragedy; she gets them to share their wonderfully big dreams, then gets us to hope along with them that they might just come true.

Genre: Documentary

Actor: Dorian Corey, Kim Pendavis, Octavia St. Laurent, Pepper LaBeija, Sol Williams Pendavis, Venus Xtravaganza, Willi Ninja

Director: Jennie Livingston

Rating: R

The title of Paweł Pawlikowski’s sophomore feature has a double meaning: it’s not only about the extraordinary lengths a Russian mother goes to remain in the UK, but it’s also set in the last seaside resort anyone would ever want to visit. While travelling to meet her English fiancé, Tanya (Dina Korzun) and son Artyom (Artyom Strelnikov) are detained at customs after failing to satisfy the immigration officer’s queries. With her fiancé refusing to answer her calls, Tanya panics and claims political asylum, not knowing that doing so means she’ll have to wait for over a year in a grim coastal town requisitioned as an asylum-seeker “holding area.”

Pawlikowski uses realism to highlight the crushing bureaucracy, dehumanizing conditions, and threats of exploitation that come with being an asylum seeker, but remarkably, bleakness isn’t the overriding tone. Local arcade worker Alfie (Paddy Considine) takes a shine to the duo and does what he can to brighten their gloomy situation — and, in the cruel limbo they find themselves in, his warm generosity and fondness for them imbues the film with an undeniable sense of hopefulness. It never detracts from the film’s realism (see: its bittersweet ending) but neither does Pawlikowski allow the precious gift of someone who genuinely cares to go ignored.

Genre: Drama, Romance

Actor: Adrian Scarborough, Bruce Byron, Dave Bean, David Auker, Dina Korzun, Paddy Considine, Perry Benson

Director: Paweł Pawlikowski

Don’t be fooled by its obvious parallels to Ghost (not a bad film, but a very different one): Truly, Madly, Deeply isn’t much concerned with the supernatural logistics of its back-from-the-dead-boyfriend premise, and it doesn’t feature any psychics or murders, either. In fact, there’s an argument to be made that everything that takes place here happens in its protagonist's imagination — that’s how much it ignores the ‘how’ of it all.

Instead, this deeply warm rom-com from the great Anthony Minghella grapples head-on with the emotional challenges of grief and moving on. Juliet Stevenson’s performance as the bereft Nina is up there as one of the most moving portrayals of loss the screen has seen, and not just because of how believable her intense cry-acting is. When she realizes her deceased boyfriend Jamie (Alan Rickman, as seductive and sardonic as always) has returned to the land of the living, her euphoria brings to aching life the dream that everyone who’s ever lost a loved one must surely have dreamt: how joyous it would be to see them again. Blending such raw observations with wry humor — and anchored by two leads with genuine chemistry — this is a profoundly moving and rewarding movie.

Genre: Comedy, Drama, Fantasy, Romance, TV Movie

Actor: Alan Rickman, Arturo Venegas, Bill Paterson, Christopher Rozycki, David Ryall, Deborah Findlay, Eddie Vincent, Frank Baker, Heather Williams, Jenny Howe, Juliet Stevenson, Keith Bartlett, Mark Long, Michael Maloney, Nitin Ganatra, Richard Syms, Stella Maris, Teddy Kempner, Terry Molloy, Tony Bluto, Vania Vilers

Director: Anthony Minghella

The British social-critical director of I, Daniel Blake and The Wind That Shakes the Barley, Ken Loach, delivers another scathing indictment of our economic system, the slashing of worker protection, and the gig economy. While these are indeed the themes of this affecting drama, Loach always makes it about the people. In this case, a struggling family man who tries to turn his life around by working in package delivery. Gig economy workers are usually freelancers who own their trucks and are made fully responsible for packages until they reach their respective recipients. From peeing in a bottle to save time to seamless monitoring by an overlord hand-held device, Sorry We Missed You manages to capture the indignity and gives you an intimate introduction to the human cost of having everything delivered to your doorstep at a moment's notice. Thanks to Loach's use of amateur actors, it has a raw and real feel to it without being melodramatic. Sorry We Missed You makes sure that the habitually unseen take center stage.

Genre: Drama

Actor: Charlie Richmond, Debbie Honeywood, Katie Proctor, Kris Hitchen, Maxie Peters, Rhys Mcgowan, Rhys Stone, Ross Brewster, Sheila Dunkerley, Stephen Clegg, Vicky Hall

Director: Ken Loach

Rating: 0, 12

Directed by David Cronenberg, Eastern Promises is at times brutal—such is the famous Canadian director's trademark—and operates at a fever pitch of grim violence and revenge. Starring a tattooed, ruthless, and terrifying Viggo Mortensen as a very convincing Russian strong-arm gangster as well as Naomi Watts and Vincent Cassel, it features intense psychological drama and a gritty crime story. Midwife Anna (Watts) delivers the baby of a 14-year-old Russian prostitute, who dies while giving birth, and later learns that she was forced into prostitution by the Mafia. To keep this knowledge from seeping out, she gets entangled deeper into London's criminal underbelly, whose various factions and languages are aptly showcased by Cronenberg. Add to all this a smart script and Mortensen's daring performance and you have yourself an intense auteur thriller in signature Cronenberg style.

Genre: Crime, Drama, Mystery, Thriller

Actor: Aleksandar Mikic, Aleksander Mikic, Alice Henley, Armin Mueller-Stahl, David Papava, Donald Sumpter, Elisa Lasowski, Jerzy Skolimowski, Josef Altin, Mina E. Mina, Naomi Watts, Raza Jaffrey, Sarah-Jeanne Labrosse, Sinead Cusack, Tamer Hassan, Tatiana Maslany, Tereza Srbová, Tony Cook, Viggo Mortensen, Vincent Cassel

Director: David Cronenberg

Rating: R

Revealing the gaps in the social safety net, I, Daniel Blake, is a tale centered around a blue collar worker navigating the welfare system in England. At a time where class and social mobility could not be more politically salient, this film calls into question the notion of the “citizen” and exposes the inaccessibility to the social protections in which one presumes entitlement. At the forefront of this, is a heart-warming parable of paternal companionship between Daniel (played by Dave Johns) and a single mother – Katie – (played by Hayley Squires) who is wading through similar terrain. The acting in the film is unfathomably raw which cultivates the deepest source of gut wrenching compassion. Ken Loach has created a film that exposes the true power of empathy, leaving you feeling helplessly human.

Genre: Drama

Actor: Briana Shann, Dan Li, Dave Johns, David Murray, Dylan McKiernan, Hayley Squires, Kate Rutter, Kema Sikazwe, Ken Loach, Li Dan, Malcolm Shields, Mickey Hutton, Micky McGregor, Natalie Ann Jamieson, Sammy T. Dobson, Sharon Percy, Shaun Prendergast, Stephen Clegg, Steven Richens, Viktoria Kay

Director: Ken Loach

Rating: R

This poetic memoir by the late director Terence Davies opens with a tracking shot that takes us down a rainy, dilapidated Liverpool street, finally settling on the wet staircase of a roofless house as three audio tracks morph into one another: a Nat King Cole song, dialogue from a movie, and, finally, a boy calling for his mother. Just as we hear the latter, the shot of the exposed staircase dissolves, taking us into the past to reveal the owner of the voice sitting in the same spot — only now, the stairs are dry, the roof restored. 

The scene perfectly encapsulates the film: it's a dreamlike pool of sensory recollections from that lonely boy’s childhood, assembled according to the strange logic of memory. Music and movie dialogue echo across the film as we watch snapshots from Bud’s (Leigh McCormack, playing a proxy of Davies) early years. Though most of the memories radiate warmth — Christmases with family, euphoric cinema trips — a note of melancholy tinges these blissful recollections. Callously cruel schoolmates, desperate church prayers, and instantly rueful stolen glances jar against the nostalgia and let us know that something dark is coming. Intensely, painfully intimate, this is one of the best and most unbearably sad evocations of memory in cinema.

Genre: Drama

Actor: Anthony Watson, Ayse Owens, Leigh McCormack, Marjorie Yates, Mark Heath, Nicholas Lamont, Patricia Morison, Peter Ivatts, Tina Malone

Director: Terence Davies

Director Jim Jarmusch audaciously combined the DNA of French noir classics with that of samurai and mafia movies to produce this utterly original film. As advised by the ancient Japanese manual it often quotes, though, Jarmusch’s movie also “makes the best” out of its own generation by adding hip-hop into its wry genre blend. The results are more than the sum of their parts, especially because the film is so eccentric: no matter how au fait with its inspirations you are, you still won’t see “Forest Whitaker plays a lonely hitman who wields and whooshes his silencer pistol like a samurai sword, lovingly tends pigeons, and can’t even speak the same language as his best friend” coming.

Ghost Dog’s strangeness is never jarring, though, thanks to Whitaker’s cool, collected performance, an atmospheric score by Wu-Tang Clan's RZA, and the cinematography’s tendency to use smooth double exposures for scene transitions. It almost feels like we’re in another world: Jarmusch zooms in on the Bushido code obsessions of Whitaker’s single-minded character and the mafiosos’ dying laws, blurring out everything else so the movie becomes a meditation on the impulse to moralize one’s misdoings by subscribing to rigid definitions of “honor.” Not an exercise in surface style, then, but a bone-deep reflective masterpiece.

Genre: Crime, Drama

Actor: Alfred Nittoli, Angel Caban, Camille Winbush, Chuck Jeffreys, Clebert Ford, Cliff Gorman, Damon Whitaker, Forest Whitaker, Frank Adonis, Frank Minucci, Gano Grills, Gary Farmer, Gene Ruffini, Harry Shearer, Henry Silva, Isaach De Bankolé, Jamie Hector, Jerry Todisco, John Tormey, Jonathan Teague Cook, José Rabelo, Joseph Rigano, Paul Diomede, Renee Bluestone, Richard Portnow, Roberto Lopez, RZA, Scott Bryce, Sharon Angela, Tony Rigo, Tracy Howe, Tricia Vessey, Victor Argo, Vince Viverito, Vinny Vella

Director: Jim Jarmusch

Rating: R

The sunniest installment of Éric Rohmer’s Tales of the Four Seasons series is a sly, slow burn of a character study. Everything looks sensuously beautiful in the honey-toned French sunshine, except for the ugly egotism of Gaspard (Melvil Poupaud), the full extent of which is gradually revealed over the film’s runtime to amusing — if maddening — effect.

A brooding twenty-something, Gaspard has the traumatic task of having to decide between three beautiful and brilliant young women while vacationing alone on the French coast one summer. He dithers and delays his choice, each woman appealing to a different insecurity of his — but, as frustrating and plainly calculating as he is, you can’t help but be charmed by Gaspard. That’s partly because of Poupaud’s natural charisma, but also because Rohmer grants Gaspard as many searingly honest moments as he does deceitful ones. These come through Rohmer’s hallmark naturalistic walking and talking scenes (a big influence on the films of Richard Linklater), coastal rambles that produce conversations of startling, timeless candor. That inimitable blend of breeziness and frankness is never better matched in the director’s films than by the summer setting of this one, the sharp truths going down a lot smoother in the gorgeous sunlight.

Genre: Comedy, Drama, Romance

Actor: Aimé Lefèvre, Amanda Langlet, Aurelia Nolin, Gwenaëlle Simon, Melvil Poupaud

Director: Éric Rohmer

There’s much to despair at in Mahamat-Saleh Haroun's drama set in Chad, where abortion is illegal, female genital mutilation isn't, and single mothers are ostracised. Amina's (Achouackh Abakar) 15-year-old daughter Maria (Rihane Khalil Alio) has just been expelled from school because she’s pregnant. Like Amina, Maria has been abandoned by the child’s father — but, having witnessed first-hand the stigma that comes with being an unmarried mother, she refuses to let history continue repeating itself, and declares she wants an abortion.

But underground abortions are expensive, and the duo are barely scraping by as it is, in spite of Amina’s backbreaking manual work. Their situation is dire — and there are more disturbing revelations to be had — but, despite the bleakness of Lingui’s plot on paper, the film isn’t miserabilist. As Amina searches desperately for a safe abortion provider, she takes us with her into a furtive underground network of solidarity, one that offers the mother and daughter all the compassion and aid that the government and their imam should be providing. This is a film in which acts of kindness are quietly delivered on the understanding that that’s what we owe each other, and one where sisterhood is alive — making this, paradoxically, a simultaneously enraging and heartening watch.

Genre: Drama

Actor: Achouackh Abakar Souleymane, Briya Gomdigue, Rihane Khalil Alio, Saleh Sambo, Youssouf Djaoro

Director: Mahamat-Saleh Haroun

French director Mia Hansen-Løve is a master at gently capturing the full bittersweetness of life, and that’s no more evident than in One Fine Morning. Léa Seydoux gives a quietly powerful performance as Sandra, a mother-of-one who is grappling with the slow, devastating decline of her philosophy professor father at the hands of a neurodegenerative disease. As she deals with the crushing trauma of watching her father deteriorate — and the logistical stress of getting him the care he needs — life grants her an oasis through a chance meeting with an old acquaintance (Clément, played by Melvil Poupaud). Despite Clément being married, the two are hurled into a passionate romance, one that re-ignites something in Sandra she thought she’d lost forever.

What’s so remarkable about One Fine Morning is its gentle empathy: Hansen-Løve appreciates that, in the context of Sandra’s life, her affair with Clément is something life-affirming and vital, worthy of sensitive consideration rather than easy judgment or melodrama. What’s more, One Fine Morning extends that thoughtful attention to the other people around Sandra, with digressions that recognize the fullness and complexity of their lives, too. This is a film that overflows with compassion and curiosity for everyone in its frame, and one that has a contagiously heart-expanding effect on its audiences. 

Genre: Drama, Romance

Actor: Elsa Guedj, Fejria Deliba, Léa Seydoux, Masha Kondakova, Melvil Poupaud, Nicole Garcia, Pascal Greggory, Sarah Le Picard

Director: Mia Hansen-Løve

Co-produced by the legendary Studio Ghibli and directed by Dutch animator Michaël Dudok de Wit, The Red Turtle is a tale about a man shipwrecked on a desert island whose fate is changed upon meeting a giant turtle. Beautiful images are pulled together and combined with the film’s delicate symbolism about humanity and nature, in a story told with remarkable restraint. The only sound in the movie is that of nature and the film’s beautifully relaxing score. Using only simple ingredients, The Red Turtle is an enigmatic, captivating, and highly-recommended gem that, after all, encompasses life itself.

Genre: Animation, Drama, Family, Fantasy

Actor: Barbara Beretta, Emmanuel Garijo, Tom Hudson

Director: Michael Dudok de Wit

The debut feature by Palestine’s most well-known director, Chronicle of a Disappearance is an unusual movie about the decades-long Israel-Palestine conflict in that it's closer to absurdist comedy than anything else. The only physical violence we see here are men cat-fighting in the street or arm-wrestling each other in cafes, and Israeli presence is limited to a couple of bumbling police officers. Chronicle is full of slapstick cinema touches — right down to the Buster Keaton-esque eyes of director Elia Suleiman, who appears here as a silent wanderer — and yet we feel the bitter reality of the occupation framing every deadpan gag. 

Structured as a series of vignettes, Chronicle’s loose form is both a way to depict the stagnation and dry repetition in which Palestinians are stuck and a wry metaphor for all this listlessness. Suleiman speaks plainly in some chapters — such as the one following a woman who is repeatedly turned down from renting an apartment in Jerusalem because she’s Arab — and more obliquely in others, forcing you to recall the movie’s setting to understand his often-understated commentary. A singular film from an utterly unique director, Chronicle of a Disappearance is both a portrait of a country’s erosion and a quietly defiant act of resistance.

Genre: Drama

Actor: Ali Suliman, Elia Suleiman, Fawaz Eilemi, Fuad Suleiman, Iaha Mouhamad, Jamel Daher, Juliet Mazzawi, Leonid Alexeenko, Nazira Suleiman, Ola Tabari

Director: Elia Suleiman

In 2005, Palestinian olive farmer Emad Burnat bought a camera to document the birth of his new son, Jibreel. But what was intended as an act of celebration quickly grew into something else, as Burnat inadvertently became a documentarian of the oppression his West Bank village faced when a wall was erected through it and Palestinian farmland illegally appropriated by Israeli settlers. As we come to witness, this reluctant pivot is just another example of everyday life in Bil’in being forcibly reoriented by the occupation, as Burnat captures the daily struggles of life in the village and charts the innocence-shattering effect the occupation has on young Jibreel’s burgeoning consciousness. 

Over his footage of encroaching illegal settlements, the arrests of Palestinian children in the middle of the night, the point-blank shootings of blindfolded and handcuffed peaceful protestors — plus tender snapshots of nature and joyful events in the village — Burnat delivers a poetic, reflective narration that miraculously ties these horrible and hopeful images together. It's this intimacy of perspective that makes 5 Broken Cameras profoundly harrowing and unexpectedly transcendent — a personal document of oppression that is also a testament to the miraculous persistence of the human spirit, the resilience of life and the urge to seek beauty even under truly awful circumstances.

Genre: Crime, Documentary, Drama, War

Actor: Emad Burnat, Mohammed Burnat, Soraya Burnat

Director: Emad Burnat, Guy Davidi

Rating: NR

If you’ve never seen Walk Hard before but still get déjà vu from just its first 10 minutes, that's the point. This riotous pastiche parodies every musician biopic ever made — and even many that came after it. Its ability to predict the future is thanks to its sharp observation of all the clichés that are typically wheeled out when a musical artist’s life story gets the big screen treatment. Walk Hard skewers everything from the tropes of preternatural musical abilities and galvanizing childhood trauma to the formulaic three-act structure that follows the musician’s rise, inevitable fall, and triumphant rise again.

Absolutely no chances are left unseized to lampoon the genre: the film is told in an incredibly long flashback, for example, and features multiple groan-including moments in which characters say the movie’s title out loud, all but winking at the camera. The danger with a parody is that the joke can get old quickly, but Walk Hard is blessedly full of laughs that would stand up even outside of the spoof framework, displaying incredible devotion to even the most throwaway of jokes (as when The Temptations make a cameo for one five-second gag). Not just a brilliant satire, then, but a terrific comedy of its own.

Genre: Comedy, Drama, Music

Actor: Adam Herschman, Amber Hay, Angela Little, Cheryl Ladd, Cheryl Tiegs, Chris Parnell, Clement Blake, Conner Rayburn, Craig Robinson, David Doty, David Krumholtz, E.J. Callahan, Ed Helms, Eddie Vedder, Frankie Muniz, Gerry Bednob, Gerry Black, Ghostface Killah, Gregg Lee, Harold Ramis, Ian Roberts, Jack Black, Jack Kehler, Jack McBrayer, Jack White, Jackson Browne, Jacques Slade, Jane Lynch, Jason Schwartzman, Jenna Fischer, Jewel, John C. Reilly, John Ennis, John Maynard, John Michael Higgins, Jonah Hill, Justin Long, Kristen Wiig, Lyle Lovett, Margo Martindale, Martin Starr, Matt Besser, Molly C. Quinn, Morgan Fairchild, Nat Faxon, Neil Ironfield, Odette Annable, Patrick Duffy, Patrick Faucette, Patrick J. Adams, Paul Bates, Paul Feig, Paul Rudd, Philip Rosenthal, Rae Sunshine Lee, Rance Howard, Raymond J. Barry, Ron Tyson, Serria Tawan, Simon Helberg, Skyler Gisondo, Stacey Scowley, Steve Bannos, Terrence Beasor, Tim Bagley, Tim Meadows, Tyler Nilson, Willow Geer

Director: Jake Kasdan

Rating: R

The visceral pain at the center of this adaptation from period drama powerhouse Merchant-Ivory comes not from fading or unrequited love but unrealized affection. Try as he might to repress his feelings, devoted butler Mr. Stevens (Anthony Hopkins) can’t stifle the blossoming attachment he shares with housemaid Miss Kenton (Emma Thompson). And yet, at every opportunity she gives him to do something about it, he balks, squandering the potential for something truly beautiful — something that actually belongs to them, not their aristocratic employer.

The Remains is partly told in flashbacks to the period leading up to the Second World War. From his stately home, Stevens’ master Lord Darlington and his peers play at international relations and try to avoid another war by pandering to the Nazis, but find they’re woefully under-equipped to decide the fate of Europe in this changing world. One of the many brilliant things about The Remains is the way this political drama doubles the devastation of Stevens’ die-hard commitment to his job — because now, he’s sacrificing his one chance at love for something that won’t even survive the decade. Sublime filmmaking and performances turn Stevens’ every minute choice into a pillar of profound tragedy, giving us a maddeningly heartwrenching life lesson for the ages.

Genre: Drama, Romance

Actor: Anthony Hopkins, Ben Chaplin, Brigitte Kahn, Caroline Hunt, Christopher Brown, Christopher Reeve, Emma Thompson, Hugh Grant, Ian Redford, James Fox, Jeffry Wickham, Jo Kendall, John Haycraft, John Savident, Lena Headey, Michael Lonsdale, Miles Richardson, Patrick Godfrey, Paul Copley, Paula Jacobs, Peter Cellier, Peter Eyre, Peter Halliday, Peter Vaughan, Pip Torrens, Rupert Vansittart, Steven Beard, Terence Bayler, Tim Pigott-Smith, Tony Aitken, Wolf Kahler

Director: James Ivory

Rating: PG

A recent holiday classic you likely haven't seen, Arthur Christmas uses its premise of the North Pole as a massive spy organization to touch on how commercialization tears people apart. It's a surprisingly smart film with a fascinating dynamic among its family of Santas, with an incredibly funny script full of dry, British wit. And while the animation may already look dated at first glance, Arthur Christmas more than makes up for its looks with truly imaginative art direction and director Sarah Smith's fast-paced set pieces. This is that rare Chirstmas movie that doesn't just surrender to schmaltz; the lessons learned by the characters here are unique, complex, and timeless.

Genre: Adventure, Animation, Comedy, Drama, Family, Kids

Actor: Adam Tandy, Alistair McGowan, Andy Serkis, Ashley Jensen, Bill Nighy, Brian Cummings, Bronagh Gallagher, Clint Dyer, Cody Cameron, Danny John-Jules, David Menkin, David Schneider, Deborah Findlay, Dominic West, Donnie Long, Emma Kennedy, Eva Longoria, Hugh Laurie, Iain McKee, Ian Ashpitel, Imelda Staunton, James McAvoy, Jane Horrocks, Jerry Lambert, Jim Broadbent, Joan Cusack, Julia Davis, Kerry Shale, Kevin Cecil, Kevin Eldon, Kris Pearn, Laura Linney, Marc Wootton, Michael Palin, Peter Baynham, Ramona Marquez, Rhys Darby, Rich Fulcher, Rich Hall, Robbie Coltrane, Sanjeev Bhaskar, Sarah Smith, Seamus Malone, Seeta Indrani, Stewart Lee, Tamsin Greig

Director: Barry Cook, Sarah Smith

Rating: PG

Stand By Me follows four young friends as they journey around their small town searching for a rumored dead body. On the surface, it moves like an adventure story. The boys narrowly avoid guard dogs and leeches, speeding trains and tough teen gangs. But along the way, they also learn much about each other, in particular about the stark reality of their home lives and the growing depths of their inner struggles, so that beneath all the small-time thrill is a beating coming-of-age story. 

Based on a novella by horror master Stephen King, Stand By Me is terrifying in its ability to evoke the unique thorniness of passing through the gates of adulthood, but also warm and comforting in its reminder of the universality of this feeling.

Genre: Adventure, Crime, Drama

Actor: Bradley Gregg, Bruce Kirby, Casey Siemaszko, Chance Quinn, Corey Feldman, Dick Durock, Frances Lee McCain, Gary Riley, Jason Naylor, Jason Oliver, Jerry O'Connell, Jerry O'Connell, John Cusack, Kent W. Luttrell, Kiefer Sutherland, Korey Scott Pollard, Madeleine Swift, Marshall Bell, Matt Williams, O.B. Babbs, Richard Dreyfuss, River Phoenix, Scott Beach, Wil Wheaton, William Bronder

Director: Rob Reiner

Rating: R

The film opens with Julie in her early twenties, longing to pursue a career in medical school. But after briefly testing the waters, she switches over to psychology, only to drop completely out of school and transform her hobby of photography into a professional career. This indecisiveness carries over in most aspects of her life, including and especially in romance, where impulse and desire drive her to run after what she believes to be love. The movie follows Julie as she navigates adulthood in modern Oslo—at once a specific yet universally relatable story about the growing pains of growing up.

With The Worst Person in the World, Joachim Trier scores again with another life-changing Norwegian drama about longing, love, grief, and finding your place in the world. His films can be quite sad but amidst all the drama, moments of happiness and hope are scattered throughout, as it is in real life.

Genre: Comedy, Drama, Romance

Actor: Anders Danielsen Lie, Anna Dworak, Gisle Tveito, Hans Olav Brenner, Herbert Nordrum, Ine Jansen, Maria Grazia Di Meo, Marianne Krogh, Renate Reinsve, Ruby Dagnall, Sofia Schandy Bloch, Thea Stabell, Vidar Sandem

Director: Joachim Trier

Sisters Martine and Filippa, daughters of a founder of a religious sect, live a simple and quiet life in a remote coastal village in Denmark. Throughout the course of their lives, they reject possible romances and fame as part of their commitment to deny earthly attachments. This is upended by the sudden arrival of a French immigrant named Babette, who served as their house help to escape the civil war raging in her country.

Babette’s Feast is an inquiry into simplicity and kindness, and whether these would be sufficient to achieve a life of contentment. The religious undertones perfectly fit with the film’s parable-like structure, where bodily and spiritual appetites are satisfied through a sumptuous feast of love, forgiveness, and gratitude.

Genre: Comedy, Drama

Actor: Asta Esper Hagen Andersen, Axel Strøbye, Bendt Rothe, Bibi Andersson, Birgitte Federspiel, Bodil Kjer, Cay Kristiansen, Ebbe Rode, Else Petersen, Finn Nielsen, Gert Bastian, Ghita Nørby, Ghita Nørby, Holger Perfort, Jarl Kulle, Jean-Philippe Lafont, Lars Lohmann, Lisbeth Movin, Pouel Kern, Preben Lerdorff Rye, Stéphane Audran, Stéphane Audran, Therese Hojgaard Christensen, Thomas Antoni, Vibeke Hastrup, Viggo Bentzon

Director: Gabriel Axel

Rating: G

Director Thomas Vinterberg (The Hunt) reunites with Mads Mikkelsen to tell the story of four teachers going through a mid-life crisis. They’re not sad, exactly—they have homes and jobs and are good friends with each other—but they’re not happy either. Unlike the ebullient youth they teach, they seem to have lost their lust for life, and it’s silently eating away at them, rendering them glassy-eyed and mechanic in their everyday lives. 

Enter an experiment: what if, as one scholar suggests, humans were meant to fulfill a certain alcohol concentration in order to live as fully and present as possible? The teachers use themselves as the subjects and the tide slowly starts to turn to mixed effects. Are they actually getting better or worse?

With an always-satisfying performance by Mikkelsen and an instant classic of an ender, it’s no surprise Another Round took home the award for Best Foreign Film in the 2020 Academy Awards.

Genre: Comedy, Drama

Actor: Albert Rudbeck Lindhardt, Christiane Gjellerup Koch, Diêm Camille G., Dorte Højsted, Frederik Winther Rasmussen, Helene Reingaard Neumann, Lars Ranthe, Mads Mikkelsen, Magnus Millang, Magnus Sjørup, Maria Bonnevie, Martin Greis-Rosenthal, Mercedes Claro Schelin, Michael Asmussen, Morten Thunbo, Niels Jørgensen, Per Otto Bersang Rasmussen, Silas Cornelius Van, Susse Wold, Thomas Bo Larsen

Director: Thomas Vinterberg

Rating: 0, Not Rated

Krzysztof Kieślowski’s trilogy reflects both the colors and the values of the French republic: liberté, égalité, fraternité. In Trois couleurs : Blanc (Three Colors: White), Kieślowski explores not only the theme of equality, but also the ramifications of defining and “achieving” equality as a European ideal.

After failing to consummate their marriage, Dominique (the ever-bewitching Julie Delpy) divorces Karol (Zbigniew Zamachowski), leaving him broke and humiliated. Karol plots to exact revenge on his ex-wife, becoming richer and cruller in the process. 

Although this is often regarded as the weakest of the trilogy, White is worth a watch not just for completionists. Kieślowski interrogates what it means to be equal in sex and socioeconomic class—and if when we strive to move upward in society, whether we are really debasing our basic humanity and humility.

Genre: Comedy, Drama, Mystery

Actor: Aleksander Bardini, Andrzej Precigs, Barbara Dziekan, Bartłomiej Topa, Bozena Szymanska, Cezary Harasimowicz, Cezary Pazura, Florence Pernel, Francis Coffinet, Grażyna Szapołowska, Grzegorz Warchoł, Janusz Gajos, Jerzy Nowak, Jerzy Stuhr, Jerzy Trela, Julie Delpy, Juliette Binoche, Marzena Trybała, Philippe Morier-Genoud, Piotr Machalica, Piotr Zelt, Teresa Budzisz-Krzyżanowska, Wanda Wróblewska, Zbigniew Zamachowski, Zdzisław Rychter

Director: Krzysztof Kieślowski

This bittersweet film about a father and a daughter marks one of the more tender spots in Claire Denis’ brilliant filmography. Frequent collaborator Alex Descas plays Lionel (the father), while Mati Diop, now a director in her own right, plays Josephine (the daughter.) The film captures the two at a crossroads, with their closely-knit relationship tested as Josephine grows closer to her boyfriend, and Lionel must face the possibility of finally letting her go.

A melancholy lingers in the air as we learn more about their lives and the small community of neighbors and coworkers in their orbit. Meanwhile, the film's climax holds a mesmerizing sequence set to the Commodores’ Nightshift, which has to rank as one of the best needle drops in cinema from a director who already has an all-timer under her belt. (see. Beau Travail)

Genre: Drama

Actor: Adèle Ado, Alex Descas, Djédjé Apali, Ériq Ebouaney, Grégoire Colin, Ingrid Caven, Jean-Christophe Folly, Mati Diop, Nicole Dogué

Director: Claire Denis

Rating: Unrated

There are movies that leave you matured after you finished watching. You mature because you are forced to walk in someone's shoes and confront yourself with issues that you are not affected by. The Sea Inside is one of those movies –⁠ and won an Academy Award and a Golden Globe for it. Directed by Alejandro Amenábar, who you might know as the director of The Others, it tells the true story of Ramón Sampedro's decade-long fight for the right to end his own life. After he became quadriplegic after a diving accident, he was confined to the same bed in the same room for 26 years, except when he visited the hospital. Not an easy subject to say the least but Amenábar helps the fascinating story along with stylish directing, while Javier Bardem delivers a stellar performance to go with it. Thanks also to Ramón Sampedro's sunny real-life nature, this heart-wrenching watch also has plenty of uplifting moments.

Genre: Drama

Actor: Adolfo Obregón, Alberto Amarilla, Alberto Jiménez, Alberto Jiménez, Andrea Occhipinti, Belén Rueda, Belén Rueda, Celso Bugallo, César Cambeiro, Clara Segura, Federico Pérez Rey, Francesc Garrido, Javier Bardem, Joan Dalmau, Jordi Ballester, José Luis Rodríguez, Josep Maria Pou, Julio Jordán, Lola Dueñas, Lola Dueñas, Mabel Rivera, Marta Larralde, Tamar Novas, Xosé Manuel Olveira

Director: Alejandro Amenábar

Rating: PG-13

Set in the small town of Åmål, western Sweden, the debut feature by Lukas Moodysson (We Are the Best), is itself a metonymy for the bigger questions of life. It's playful and dead serious at the same time, in the way it portrays teenager Agnes, who, after two years of living in Åmål, still hasn't made any friends that would attend her birthday party. Instead, she spends her time typing away on her computer, poetic diaries and love confessions to a girl from school named Elin. She's the popular one and therefore, out of reach. The amount of tension and escalating ambivalence the film conjures with just a simple narrative decision—a bet, a kiss, an apology—is palpable throughout the 86 minutes of its runtime. A perfect capsule of lesbian desire and first love, Show Me Love is a gem of a movie; one that would make you think Close was a tad overrated. Oh, and don't forget to add the titular song by Swedish pop star Robyn to your Spotify favorites.

Genre: Comedy, Drama, Romance

Actor: Alexandra Dahlström, Bo Lyckman, Erica Carlson, Jill Ung, Josefine Nyberg, Maria Hedborg, Mathias Rust, Ralph Carlsson, Rebecka Liljeberg, Stefan Horberg

Director: Lukas Moodysson

Rating: Not Rated

As a crime thriller, Holy Spider is taut and terrifying, a modern noir that manages to unnerve despite the familiar moves it employs. The cat and mouse chase between serial killer and investigative reporter, for instance, is a classic tale, but that doesn’t make Holy Spider any less gripping. The film benefits from artful camerawork, considered acting (as the daring journalist Rahimi, Zar Amir Ebrahimi nabbed the Best Actress award at Cannes), and most of all a nuanced take on the situation in Iran. 

Despite having a clear stance against violence and corruption, nothing in Holy Spider is black and white. Contradictions abound, and even when presented with brief moments of justice, we’re left scratching our heads looking for more. Such is the case when the system, and not just an individual, is the true pest. 

Genre: Crime, Drama, Horror, Thriller

Actor: Ariane Naziri, Majd Eid, Mehdi Bajestani, Nima Akbarpour, Sara Fazilat, Sina Parvaneh, Zar Amir Ebrahimi

Director: Ali Abbasi

As in his previous films, Director Andrew Haigh explores the delicate nature of loneliness, grief, and love in All of Us Strangers, except this time he does so through a supernatural lens. The result is mesmerizing: amid the tenderness the film draws from its characters, there’s a swirl of mystery too: how is it possible that Adam is conversing with his dead parents? Who, exactly, is Harry? The intrigue is there, and Haigh builds to a satisfying climax that answers all these questions. The mystery also lends the film an ethereal style that makes it visually resemble a horror or thriller more than it does a romance or drama. But as superb as it looks and as compelling as the ambiguity is, they never distract from the film’s central goal, which is to bring us into the complex emotional journey Adam goes through as he simultaneously develops a relationship with Harry and parses his childhood trauma with his parents. It’s a hefty film, filled with big emotional moments that will have you crying, smiling, longing, and healing all at the same time. And like any good film, it will haunt you for days on end.

Genre: Drama, Fantasy, Romance

Actor: Ami Tredrea, Andrew Scott, Carter John Grout, Claire Foy, Jamie Bell, Paul Mescal

Director: Andrew Haigh

Rating: R

Here’s a biopic that focuses on capturing the feel of the era it depicts, rather than all the facts — and is all the better for it. 24 Hour Party People takes the same punk approach to storytelling as its subjects did to music, playfully throwing off the dull constraints that often make based-on-a-true-story movies feel like uninspired celluloid translations of a Wikipedia page. 

In the film’s opening scene, Steve Coogan’s Tony Wilson breaks the fourth wall to address us directly and semi-spoil the movie’s ending. But it doesn’t matter, because the ride is so fun: we’re taken on an immersive trip through the heyday of the Manchester music scene: the births of Joy Division, New Order, the Happy Mondays, and Wilson’s Factory Records label and legendary Hacienda nightclub, an incubator for acid house and rave culture. The era’s hedonism is brought to life by the movie’s frenetic editing, documentary-style cinematography, and strobe-heavy visuals. For all its onscreen anarchy, though, the movie remarkably never feels loose or self-indulgent. Its irreverence is grounded by the ironic filter of the meta filmmaking, which frequently breaks the fourth wall to draw attention to its own conceits. A refreshing rejection of biopic tropes, but also a thrilling transportation into and evocation of the Madchester era.

Genre: Comedy, Drama, Music

Actor: Andy Serkis, Chris Coghill, Christopher Eccleston, Daniel Lestuzzi, Danny Cunningham, Darren Tighe, Elizabeth Kelly, Enzo Cilenti, Fiona Allen, Helen Schlesinger, John Simm, John Thomson, Kate Magowan, Keith Allen, Kenny Baker, Kieran O'Brien, Lennie James, Margi Clarke, Mark E. Smith, Martin Hancock, Naomi Radcliffe, Neil Bell, Paddy Considine, Paul Popplewell, Peter Gunn, Peter Kay, Ralf Little, Raymond Waring, Rob Brydon, Ron Cook, Sean Cernow, Sean Harris, Shirley Henderson, Simon Pegg, Smug Roberts, Steve Coogan, Toby Salaman, Tony Wilson

Director: Michael Winterbottom

Rating: R

Remarkably for a movie about women being shunned and exploited by those more powerful than them, I Am Not A Witch is often wryly funny. That’s because this satire about Zambia’s labor camps for "witches" is told with a matter-of-fact-ness that brings out both the heartbreak and absurdity of the film’s events. The bitter gravity of the predicament nine-year-old Shula (Maggie Mulubwa) finds herself in — she’s been accused of witchcraft on the back of some very flimsy evidence — is never glossed over, but neither is its farcicality. Appropriately for its subject, there are also touches of magical realism here, notes that elevate the film into something even more complex than a wry commentary on this morbidly fascinating form of misogyny. This hybrid tonal approach is executed with the kind of fluidity filmmakers might hope to one day master late on in their career — which makes the fact that this is director Rungano Nyoni’s debut all the more extraordinary.

Genre: Drama

Actor: Dyna Mufuni, Gloria Huwiler, Henry B.J. Phiri, Maggie Mulubwa, Nancy Murilo, Nellie Munamonga, Ritah Mubanga, Travers Merrill

Director: Rungano Nyoni

With Howards End, the magic trio of producer Ismail Merchant, director James Ivory, and writer Ruth Prawer Jhabvala converted yet another turn-of-the-19th-century EM Forster novel into exquisite cinematic form. Ravishingly shot and performed to career-best heights by many of its cast, Howards End loses nothing of the elegance we expect from a period drama, and yet it also feels thoroughly modern. The film charts the tragic entwining of three families: the progressive and intellectual middle-class Schlegel sisters, the much more traditionally minded and wealthier Wilcox family, and the Basts, a down-on-their-luck working-class couple. It’s the liberally minded Schlegels who cross the class divide of 1910 London to bring these two distant social circles so close to each other, but it’s the old-world values of the Wilcoxes that make that meeting a tragic one. Simmering with rich emotion and crackling with class politics, Howards End is the crowning glory of the Merchant Ivory powerhouse and the rare perfect period drama.

Genre: Drama, Romance

Actor: Adrian Ross Magenty, Allie Byrne, Anne Lambton, Anthony Hopkins, Barbara Hicks, Brian Lipson, Crispin Bonham-Carter, Emma Thompson, Gerald Paris, Helena Bonham Carter, James Ivory, James Wilby, Jemma Redgrave, Jo Kendall, Joseph Bennett, Margery Mason, Mark Payton, Mark Tandy, Mary McWilliams, Nicola Duffett, Patricia Lawrence, Peter Cellier, Prunella Scales, Sally Geoghegan, Samuel West, Simon Callow, Susie Lindeman, Vanessa Redgrave

Director: James Ivory

Rating: PG

You might expect a movie about the Irish struggle for independence from the British Empire during the 1920s to be a sweeping historical epic a la Braveheart, but The Wind That Shakes The Barley is instead a heartbreaking miniature portrait of the human impact that the brutal occupation has on the residents of a small County Cork village. Cillian Murphy is superb as Damien O’Donovan, a young medical student who is about to up sticks for London when he witnesses first-hand the savagery of British forces on his neighbors. Galvanized into action, he joins the local branch of the IRA, which is led by his brother Teddy (Pádraic Delaney).

What makes The Wind That Shakes The Barley so potent isn’t just its depiction of the fierce local rebellion that Damien and his comrades wage against the British forces — it’s also its gutting exploration of the cyclical war that began to rage amongst the freedom fighters once the British left. As Damien puts it, “It's easy to know what you're against, quite another to know what you're for” — a dilemma that wedges the two brothers apart to bitter ends.

Genre: Drama, War

Actor: Aidan O'Hare, Alex Dee, Anthony Mark Streeter, Antony Byrne, Bill Hurst, Cillian Murphy, Colin Parry, Damien Kearney, Denis Conway, Frank Bourke, Frank O'Sullivan, Gerard Kearney, Keith Dunphy, Liam Cunningham, Mark Wakeling, Martin Lucey, Mary Murphy, Myles Horgan, Neil Alan Taylor, Neil Brand, Noel O'Donovan, Orla Fitzgerald, Pádraic Delaney, Roger Allam, Sabrina Barry, Scott Peden, Sean McGinley, Shane Casey, Siobhan McSweeney, Tom Charnock, William Ruane

Director: Ken Loach

"Many's the person missed the opportunity to say nothing and lost much because of it."

The Quiet Girl takes the troubled, reserved nature of Cáit (Catherine Clinch) as she's swallowed by the discord in her evergrowing family, who treats her as an outcast, and fills the film with her serene, observatory perspective. Long sequences with little to no dialogue and an expansive countryside give way to the emotional thrum of this found-family drama. The simplicity in every frame befits a child's innocence, and every visual and sonic decision reinforces that wonderfully. Loving and nurturing a child is a straightforward concept, and The Quiet Girl never complicates it. Without saying much, it says it all. 

Genre: Drama

Actor: Aine Hayden, Andrew Bennett, Carolyn Bracken, Carrie Crowley, Catherine Clinch, Joan Sheehy, Kate Nic Chonaonaigh, Marion O'Dwyer, Michael Patric, Neans Nic Dhonncha

Director: Colm Bairéad

Nothing Compares weaves a poignant story about one of the most misunderstood artists of our time, Sinéad O’Connor. The iconoclast first made waves in the '80s with her catchy music, but she quickly reclaimed the reins of her own fame and used her platform to champion marginalized causes, long before pop stars were expected to do so. 

The documentary zeroes in on this part of O’Connor's life: what prompted her to music and how she used it as a tool of activism. The answers are multi-faceted and handled here with extreme grace. Like the many from her generation, O’Connor struggled with religion and abuse, such was the Catholic Church's hold on Ireland at the time time. 

The film contextualizes her once-shocking moments and reveals how they were all grounded on things she cared about. It’s a beautiful piece of work that reassesses and redeems a wronged artist who was ahead of her time.

Genre: Documentary, Drama, Music

Actor: Ariana Grande, Billie Eilish, Bob Dylan, Bob Marley, Chuck D, Gay Byrne, George H. W. Bush, Joe Pesci, John F. Kennedy, John Maybury, Kathleen Hanna, Kurt Cobain, Michael Hutchence, Peaches, Pope John Paul II, Sinéad O'Connor, Skin, Tim Robbins

Director: Kathryn Ferguson

Rating: Not Rated

Set in 1650 against the backdrop of the English colonization of Ireland, Wolfwalkers follows the story of Robyn, a young apprentice hunter who arrives in Ireland with her father to wipe out the last wolf pack. Completing the “Irish Folklore Trilogy,” Tomm Moore’s film is a tale of sisterhood, friendship, and acceptance told with phenomenal artistry. Beautifully animated, with warm autumn colors and refined attention to detail, the film is beyond pleasing to the eye. The outstanding voice work from Honor Kneafsey and Eva Whittaker, along with a well-written and emotionally compelling story, make Wolfwalkers a unique animation experience for young viewers and adults alike. 

Genre: Adventure, Animation, Drama, Family, Fantasy

Actor: Aoibhin Murphy, Ben Andrews, Eva Whittaker, Honor Kneafsey, Jerome Burelbach, John Morton, Jon Kenny, Maria Doyle Kennedy, Nora Twomey, Paul Young, Richie Cody, Sean Bean, Simon McBurney, Tommy Tiernan, Vince Drews

Director: Ross Stewart, Tomm Moore

Rating: PG

Of all the Christmas-set films to have come out over the last couple of months that were, inexplicably, about grief and regret (you'd be surprised by how many there are), The Holdovers easily outdoes its contemporaries by being confident enough to just sit with its characters. Like the best of director Alexander Payne's other films, there are no melodramatic crescendos or overcomplicated metaphors; there are only flawed individuals going about their lives, occasionally noticing the things that bind them together. Payne's gentle touch means the characters (and the audience) aren't forced to "solve" their grief, but allowed to come to terms with it in their own way, with each other.

Payne evokes the film's 1970s setting through a muted color palette and analog—almost tactile—sound design, giving warmth to this New England despite all its snow and chilly interiors. It's understandable that these characters are similarly cold to each other on the surface at first, but they manage to thaw the ice simply by taking the chance to listen to each other's pain. It's the kind of film in which relationships develop so gradually, that you hardly notice until the end how much mutual respect has formed between them when they return from their dark nights of the soul back to their status quo.

Genre: Comedy, Drama

Actor: Alexander Cook, Andrew Garman, Bill Mootos, Brady Hepner, Carrie Preston, Carter Shimp, Cole Tristan Murphy, Colleen Clinton, Da'Vine Joy Randolph, Dakota Lustick, Dan Aid, Darby Lee-Stack, David J. Curtis, Dominic Sessa, Dustin Tucker, Gillian Vigman, Ian Dolley, Ian Lyons, Jim Kaplan, Joe Howell, Jonathan von Mering, Kelly AuCoin, Kevin Daigneault, Kevin Fennessy, Melissa McMeekin, Michael Malvesti, Michael Provost, Naheem Garcia, Oscar Wahlberg, Osmani Rodriguez, Pamela Jayne Morgan, Paul Giamatti, Rena Maliszewski, Stephen Thorne, Tate Donovan

Director: Alexander Payne

Rating: R

Kill Bill meets Bend It Like Beckham in this wild ride about a martial arts-obsessed British-Pakistani teenager who views her older sister’s impending marriage as a catastrophe to be averted at all costs. Aspiring stuntwoman Ria (Priya Kansara) can’t stomach the idea of free-spirited Lena (Ritu Arya) giving up on her creative dreams to marry a nauseatingly perfect man — not least because art school dropout Lena is her hero for refusing to conform to their community’s traditional ideas about respectability and success.

Polite Society makes room to sensitively explore Ria’s disappointment and the loneliness of rebellion, but writer-director Nida Manzoor doesn’t stop there, throwing in a sharp allegory disguised as a zany twist. Rather than upending our expectations for upending’s sake, the surprise metaphor refigures the movie as perceptive cultural commentary on the age-old devaluation of women as mere vessels for the next generation. What’s more, Manzoor takes the analogy full circle to thoughtfully imagine how this kind of dehumanizing misogyny might have affected previous generations, suggesting that the real villains lie offscreen. Movies as inventive and intelligent as this don’t come around often, but one that’s this funny, visually bold, unabashedly feminist, and full of stars-in-the-making is rarer still.

Genre: Action, Adventure, Comedy, Drama

Actor: Akshay Khanna, Ella Bruccoleri, Eunice Huthart, James McNicholas, Jeff Mirza, Jenny Funnell, Nimra Bucha, Priya Kansara, Rekha John-Cheriyan, Renu Brindle, Ritu Arya, Seraphina Beh, Shobu Kapoor

Director: Nida Manzoor

Poignant, delightful, and simply gorgeous, Licorice Pizza just might be Paul Thomas Anderson's best work to date. The period dramedy follows two young people, one in her 20s and one in his teens, as they strike an unlikely but lovely friendship and try to find their place in the world. They may be 10 years apart, but they're stuck in the same swirl of rejection and confusion that trap a lot of ambitious people like them. The premise is far from original, but Alana Haim and Cooper Hoffman turn in captivating performances (made even more impressive by the fact that this is both their film debut). There is an ease and naturalism to both their chemistry and onscreen performances that’s hard not to love.

The thick and wistful patina of the ‘70s, the comedic asides, and the colorful supporting cast all also help paint an overall charming picture that shouldn't be missed.

Genre: Comedy, Drama, Romance

Actor: Adam Somner, AJ Carr, Alana Haim, Alex Canter, Alex Herschlag, Allegra Clark, Anna Cordell, Anthony Molinari, Ariel Rechtshaid, Benjamin Barrett, Benny Safdie, Bottara Angele, Bradley Cooper, Cassandra Kulukundis, Charlotte Townsend, Christine Ebersole, Ciara Williamson, Cooper Hoffman, Craig Stark, Dan Anderson, Danielle Haim, Danielle Miller, Delaina Mitchell, Demelza Cronin, Destry Allyn Spielberg, Dick Rudolph, Eloy Perez, Emily Althaus, Emma Dumont, Erica Sullivan, Este Haim, Fatimah Hassan, George DiCaprio, Gerren Hall, Harriet Sansom Harris, Hazel Schaffer, Ingrid Sophie Schram, Isabelle Kusman, Iyana Halley, Jeff Willy, John C. Reilly, John Michael Higgins, Jon Beavers, Jonathan Goetzman, Joseph Cross, Karen Kilgariff, Kat Barnette, Kimiko Kasai, Kirk Saduski, Lakin Valdez, Laura Gary, Laura Louise Richardson, Liz Cackowski, Louis Delavenne, Mark Flanagan, Mark Wolfson, Mary Eileen O'Donnell, Mary Elizabeth Ellis, Max Mitchell, Maya Rudolph, Mick Giacchino, Nate Mann, Paige Locke, Patrick Salway, Pearl Minnie Anderson, Ray Chase, Ray Nicholson, Richard B. Larimore, Rogelio Camarillo, Ryan Heffington, Sasha Spielberg, Savannah Ioakimedes, Sean Penn, Skyler Gisondo, Steven Herrera, Tim Conway Jr., Tom Waits, Tyler Young, Waylon Richling, Yumi Mizui, Zoe McLane

Director: Paul Thomas Anderson

Kimberly Peirce's first–out of only three—film was a smashing success, mostly due to her dedication to the subject matter. Peirce spent years researching the life and tragic death of Brandon Teena after reading an article about him in The Village Voice. She felt a particular kind of kinship as a queer person herself, and wanted to construct a story out of real facts that would put the spotlight on love and the desire for connection, and not that much on the violence which dominated the public discourse. In Falls City, Nebraska, the director conducted interviews with Lana Tisdale (Brandon's girlfriend) and her mother, while attending the ongoing trial. She took years to cast the lead and from hundreds of cis women, lesbians, and trans people, she chose the unknown actress Hilary Swank, who went on to win the Best Actress Academy Award (and the irony of that is not lost on us). The film features fantastic performances aplenty and very raw storytelling, visualized by neorealist style and low lighting. Direct references were the films of Martin Scorcese and John Cassavetes, but Boys Don't Cry has its own blend of beauty and cruelty to take pride in.

Genre: Crime, Drama

Actor: Alicia Goranson, Alison Folland, Brendan Sexton III, Caitlin Wehrle, Cheyenne Rushing, Chloe Sevigny, Craig Erickson, Gabriel Horn, Gail Cronauer, Guilford Adams, Hilary Swank, Jackson D. Kane, Jeannetta Arnette, Jerry Haynes, Josh Ridgway, Libby Villari, Lisa Renee Wilson, Lou Perryman, Matt McGrath, Paige Carl Griggs, Peter Sarsgaard, Rob Campbell, Robert Prentiss, Shana McClendon

Director: Kimberly Peirce

Rating: R

We all love Jeff Bridges. We all agree that we shouldn't leave a movie he won an Oscar for unwatched. That's enough reason to watch this movie, but there are so many others. The story is fantastic and based on true events: a country musician living rough and having a shot at happiness after he falls for a journalist who interviews him. The score is composed by T Bone Burnett. The journalist is played by Maggie Gyllenhaal and another musician is played by Colin Farrell. So many reasons to watch.

Genre: Drama, Music, Romance

Actor: Anna Felix, Beth Grant, Brian Gleason, Chad Brummett, Colin Farrell, David Manzanares, Debrianna Mansini, Harry Zinn, J. Michael Oliva, James Keane, Jeff Bridges, Josh Berry, Maggie Gyllenhaal, Paul Herman, Rick Dial, Robert Duvall, Ryan Bingham, Ryil Adamson, Tom Bower, William Marquez, William Sterchi

Director: Scott Cooper

Rating: R

You would expect a courtroom drama to be built around damning pieces of evidence, passionate speeches, or certain social issues lending weight to the investigation. But what makes Justine Triet's Palme d'Or-winning Anatomy of a Fall so remarkable is how direct it is. Triet doesn't treat this case like a puzzle for the audience to participate in solving; instead she fashions this trial into a portrait of a family being eroded by even just the suggestion of distrust. It ultimately has far less to do with who's responsible for the death of a man, and more to do with the challenge of facing the reality that the people we love are capable of being cruel and callous to others.

Which isn't to say that Anatomy of a Fall doesn't still possess qualities that make it a great courtroom drama—doubt only continues to pile up with every new piece of information that's revealed to the audience, until we begin to interpret characters' expressions and actions in a contradictory ways. But the way Triet executes these reveals is just so skillful, choosing precisely how to let details slip and obscuring everything behind faulty memory, intentional dishonesty, or any other obstacles that usually come up during an investigation.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexandre Bertrand, Anne Rotger, Anne-Lise Heimburger, Antoine Bueno, Antoine Reinartz, Arthur Harari, Camille Rutherford, Christophe Devaux, Cyril Karenine, Emmanuelle Jourdan, Florent Chasseloup, Iliès Kadri, Isaac Abballah, Jean-Pierre Bertrand, Jehnny Beth, Judicaël Ajorque, Kareen Guiock, Laura Balasuriya, Maud Martin, Milo Machado-Graner, Nesrine Slaoui, Nicholas Angelo, Nola Jolly, Pierre-François Garel, Saadia Bentaïeb, Sacha Wolff, Samuel Theis, Sandra Hüller, Sandrine Chastagnol, Savannah Rol, Sophie Fillières, Swann Arlaud, Wajdi Mouawad

Director: Justine Triet

Rating: R

The Kid With A Bike is a deceptively simple title for a film this stirring. At 12 years old, Cyril (Thomas Doret) has been abandoned to social care by his father (Jérémie Renier) — but what’s really heart-wrenching is that he’s in denial about the finality of their separation. Cyril’s muscles are seemingly always coiled, ready to spring him away from his carers and onto the next bus that’ll take him to his disinterested dad, who has secretly moved away to “start anew.” It’s only through the random force of Cyril’s few words — like the moment he asks the first stranger to show him some kindness (Samantha, played by Cécile de France) if she’ll foster him on the weekends — that we get to sense the depth of his desperation, because neither the film nor Doret is showy in that regard.

The film pulls off transcendency because of these restrained performances and its unfussy realism. In the quietness of the storytelling, emotion hits unexpectedly — and deeply. The everyday tragedy and miraculous hope of Cyril’s life are set off by some enormously moving orchestral Beethoven, the very grandeur of which underscores the effect of the humanist filmmaking: affirming the inherent preciousness of his troubled, oft-rejected child.

Genre: Drama

Actor: Baptiste Sornin, Cécile de France, Fabrizio Rongione, Jérémie Renier, Myriem Akheddiou, Olivier Gourmet, Samuel De Rijk, Thomas Doret

Director: Jean-Pierre Dardenne, Luc Dardenne

The Secret of the Grain is a saga of the immigrant experience and a packed 151 minutes of diverse storylines and themes that could have each been a film on their own. 

Slimane Beiji is a Tunisian immigrant in the French port city of Sète. His large family consists of two units: his ex-wife Souad, with whom he has many children, and his current partner Latifa who own a run-down hotel where Slimani lives. Slimani gets fired from his shipyard job and is pushed by the children from his first marriage to return to Tunisia, where he can lead a quiet life. But Rym, his current partner’s daughter, convinces him that he can still be happy in France if he pursues his dream: to open a restaurant on a boat he owns that would serve his ex-wife’s unique couscous with fish recipe. Slimani chooses to rekindle his immigrant dream.

It's a beautiful and rich slice-of-life film about immigrant life in Southern France. Slimani's charachter is based on the filmmaker's father. 

Genre: Drama

Actor: Alice Houri, Benaïssa Ahaouari, Bouraouïa Marzouk, Bruno Lochet, Carole Franck, Hafsia Herzi, Hatika Karaoui, Henri Cohen, Mélèze Bouzid, Olivier Loustau, Sabrina Ouazani, Sami Zitouni

Director: Abdellatif Kechiche

Other People’s Children wrestles with some very tricky life experiences: bonding with a partner’s child in the agonizing knowledge that that attachment is entirely contingent on the fate of your romantic relationship; being a woman of a certain age and wanting a child but becoming keenly aware of the ticking of your body clock. For all the sharp points of pain the movie zones in on, though, there is remarkable cheerfulness in it, too. Writer-director Rebecca Zlotowski captures a wide spectrum of mood here, fusing lighthearted laughs and swooning romance with bitter disappointments and grief in a way that feels organic to life itself. The buoyant moments don’t undermine the sincere, intelligent consideration given to Rachel’s (Virginie Efira) perspective as a woman navigating a situation for which there are no real rules, and vice versa — because the film considers her as a whole from the outset. Neither reducing Rachel to her childlessness nor ignoring its emotional impact on her, this is a deeply empathetic movie that never questions the completeness of its protagonist’s life.

Genre: Comedy, Drama

Actor: Anne Berest, Antonia Buresi, Callie Ferreira-Goncalves, Chiara Mastroianni, Fadila Belkebla, Frederick Wiseman, Guillaume Verdier, Henri-Noël Tabary, Marlène Saldana, Mireille Perrier, Roman Kolinka, Roschdy Zem, Sébastien Pouderoux, Véréna Paravel, Victor Lefebvre, Virginie Efira, Yamée Couture

Director: Rebecca Zlotowski

Rating: NR

My Life as a Zucchini (or Courgette in Europe) is unlike any kids' movie you'll see in America. It isn't afraid to be honest about children's feelings, no matter how dark or sad, nor is it afraid to be frank about things like intimacy and abuse. It understands that kids need these kinds of narratives too, and sometimes they need to hear them without being pandered to. 

There is an openness to it that makes it comforting to adults as well. Lines like “Sometimes, we cry because we’re happy," are so deceptively simple and tender that they'll catch you off guard. Couple this seemingly endless reserve of empathy with adorable, almost melancholic stop-motion animation and you get a film that will have you floored for days, regardless of your age.

Genre: Animation, Comedy, Drama, Family, Romance

Actor: Adrien Barazzone, Brigitte Rosset, Iannis Jaccoud, Michel Vuillermoz, Monica Budde, Natacha Koutchoumov, Paulin Jaccoud, Sixtine Murat

Director: Claude Barras

Rating: PG-13

Many films have tried to decipher the indecipherable bond between mothers and daughters. Lady Bird, Everything Everywhere All at Once, and Turning Red, to name a few, center on this particular relationship, which to outsiders may seem strange at best and dysfunctional at worst. How can mothers yell at their daughters one second and coddle them the next? How can daughters treat mothers like their best friend and enemy all at once? 

One of the best films to explore this complexity is Petite Maman, a fantasy-like film that brings together mother and daughter in a unique situation, forcing them both to regard the other in otherwise impossible ways. It succeeds where others haven’t precisely because it accepts that this relationship is beyond dissecting, and the only way to honor it is in the poignant, poetic, and otherworldly way that it does. It’s a quiet film that manages to say a lot, not least of which is that it’s okay to feel and love and hurt as much as one does.

Genre: Drama, Family, Fantasy

Actor: Joséphine Sanz, Margot Abascal, Nina Meurisse, Stéphane Varupenne

Director: Céline Sciamma

This is a hilarious political comedy starring the ever-great Steve Buscemi. Set in the last days before Stalin's death and the chaos that followed, it portrays the lack of trust and the random assassinations that characterized the Stalinist Soviet Union. Think of it as Veep meets Sacha Baron Cohen's The Dictator. Although to be fair, its dark comedy props are very different from the comedy that comes out today: where there are jokes they're really smart, but what's actually funny is the atmosphere and absurd situations that end up developing.

Genre: Comedy, Drama, History

Actor: Adam Ewan, Adam Shaw, Adrian McLoughlin, Alla Binieieva, Andrea Riseborough, Andrey Korzhenevskiy, Andy Gathergood, Cara Horgan, Dan Mersh, Daniel Booroff, Daniel Chapple, Daniel Fearn, Daniel Smith, Daniel Tatarsky, Daniel Tuite, Dave Wong, David Crow, Dermot Crowley, Diana Quick, Elaine Caxton, Ellen Evans, Emilio Iannucci, Eva Sayer, Ewan Bailey, George Potts, Gerald Lepkowski, Henry Helm, James Barriscale, Jason Isaacs, Jeffrey Tambor, Jeremy Limb, Jonathan Aris, Jonny Phillips, June Watson, Justin Edwards, Karl Johnson, Leeroy Murray, Luke D'Silva, Michael Ballard, Michael Palin, Nicholas Sidi, Nicholas Woodeson, Oleg Drach, Olga Kurylenko, Paddy Considine, Paul Chahidi, Paul Ready, Paul Whitehouse, Phil Deguara, Richard Brake, Ricky Gabriellini, Roger Ashton-Griffiths, Rupert Friend, Sebastian Anton, Sheng-Chien Tsai, Simon Russell Beale, Steve Buscemi, Sylvestra Le Touzel, Tim Steed, Tom Brooke, Yulya Muhrygina

Director: Armando Iannucci

Rating: R

This is the type of movie I completely fell in love with but cannot articulate exactly why. Maybe it's the mixture of beauty and pain portrayed, maybe it's the intricate sounds and beautiful imagery, maybe it's the story, maybe it's all of the above. A woman is hit with sudden disability after an accident and calls on an unlikely companion, a night club bouncer by the name of Ali. Together they explore her new predicament and its implications, while forming a special bond. This is a movie that will call upon your internal strength, while portraying how us humans can become strong together. Most of all it provides an immensely powerful, ultimately simple story that is both touching and will stay with you for a very long time. Directed by Jacques Audiard (A Prophet).

Genre: Drama, Romance

Actor: Armand Verdure, Bouli Lanners, Celine Sallette, Corinne Masiero, Fabien Baïardi, Françoise Michaud, Irina Coito, Jean-Michel Correia, Marion Cotillard, Matthias Schoenaerts, Mourad Frarema, Yannick Choirat

Director: Jacques Audiard

Rating: 15, R

Biographical documentaries tend to depict exceptional people– people who are so great that everyone wants to know about them, and people who are so terrible that they serve as a warning. Great Photo, Lovely Life depicts a serial sexual abuser in photojournalist Amanda Mustard’s family, able to get away with nearly all his crimes each time he skips over state lines. It’s not an easy film. It’s deeply uncomfortable. There are certain interviews that will trigger anger, despair, and bewilderment over how someone so evil can remain out of bars all his life. Great Photo, Lovely Life doesn’t provide any easy, comforting sequence as a balm to sexual abuse survivors around the world, but it’s an urgent reminder of the consequences of maintaining silence.

Genre: Documentary

Actor: Amanda Mustard

Director: Amanda Mustard, Rachel Beth Anderson

A 100-minute highlight reel of the audacious 24-hour performance staged by artist Taylor Mac in 2016, this concert film succeeds not only in capturing the show's eclectic mix of songs, drag costumes, and interactive audience segments, but in capturing the emotional atmosphere conjured up in that Brooklyn warehouse. The very premise of the performance is ripe for analysis: a history of America starting from 1776, progressing one decade every hour, represented by selections of popular music of the time—which Mac questions at every turn, reinterpreting and reclaiming them for a contemporary queer audience. It begins as a creatively educational exercise, but gradually becomes more and more personal, until the audience is fully involved in the performances themselves.

Even the 24-hour format transcends its gimmick. That the show becomes an endurance test is deliberate, with bonds forming in real time and the exhaustion of this ever-changing drag performance conveying the weight of all this history on the most vulnerable and misrepresented sectors—who've already endured continuous losses decade after decade. And still there is cause for celebration, and genuine warmth among the people slowly becoming more vulnerable with each other over 24 hours. It's a beautiful, intelligent, frequently funny, and ultimately moving experience in a class all its own.

Genre: Documentary, Music

Actor: Anastasia Durasova, Heather Christian, Machine Dazzle Flower, Matt Ray, Niegel Smith, Taylor Mac

Director: Jeffrey Friedman, Rob Epstein

Rating: PG-13

In All the Beauty and the Bloodshed, documentarist Laura Poitras (Citizenfour, My Country, My Country) lends her empathetic and incisive lens to a subject so passionate and imaginative, she ends up collaborating with Poitras to co-create the documentary about her life. The subject is Nan Goldin, one of the most influential photographers of the late 20th century. 

The documentary captures Goldin’s work as a queer artist and anti-opioids activist, intertwining both aspects to tell a nuanced and incredibly important story about freedom, identity, and self-expression. This incredibly complex, encompassing, and vibrant feature won the top award at the Venice Film Festival, besting 19 other films from around the world.

Genre: Documentary, Drama

Actor: Bernard Herrmann, Cookie Mueller, David Wojnarowicz, Harry Cullen, John Waters, Leonard Bernstein, Nan Goldin, Patrick Radden Keefe

Director: Laura Poitras

Through positively adorable characters and zero dialogue whatsoever, Shaun the Sheep Movie reminds viewers young and old of the sheer artistry that goes into a truly great children's cartoon. Animated by British stop motion godfathers Aardman Animations, the film delivers one excellent visual joke after another, while still telling a coherent story that arrives at surprisingly tender places touching on the importance of community and home. In an animation industry that's constantly trying to innovate, a movie like Shaun the Sheep stands as a reminder that there are certain fundamentals in storytelling that deserve to be preserved and passed down to every new generation. It's the loveliest thing around.

Genre: Adventure, Animation, Comedy, Family, Kids

Actor: Andy Nyman, Emma Tate, John Sparkes, Justin Fletcher, Kate Harbour, Mark Burton, Nick Park, Omid Djalili, Rich Webber, Richard Starzak, Richard Webber, Sean Connolly, Simon Greenall, Stanley Unwin, Tim Hands

Director: Mark Burton, Richard Starzak

Rating: PG

Winning him Best Director at the Academy Awards, Kenneth Lonergan's drama Manchester By the Sea is a delicate and profound study of loss and grief—and a true triumph. Its focus on characters, well-paced unfolding as well as world-class acting are only equal to the very best of European dramas. This type of quiet exploration of the possibility that grief cannot be overcome has rarely been successful in American cinema, if ever. The last best attempt was probably You Can Count on Me. Originally a playwright, this is Lonergan's third film and Manchester by the Sea is where he unveils his full potential. It follows a depressed handyman, Lee Chandler (Casey Affleck), who leads a quiet but angry life. After his brother dies, he returns to his hometown only to discover that he is the only left to take care of his teenage nephew. There, he is confronted with his past and the blue-collar community from which he was raised. Co-produced by Matt Damon, it grossed around $80 million on a budget of $8.5 million. One of the most noted films of 2016.

Genre: Drama

Actor: Allyn Burrows, Anna Baryshnikov, Anthony Estrella, Ben Hanson, Ben O'Brien, Brian A. White, C.J. Wilson, Carolyn Pickman, Casey Affleck, Christian J. Mallen, Danae Nason, Ellie Teves, Erica McDermott, Frank Garvin, Gretchen Mol, Heather Burns, Ivy O'Brien, Jackson Damon, Jami Tennille, Joe Stapleton, Josh Hamilton, Kara Hayward, Kenneth Lonergan, Kt Baldassaro, Kyle Chandler, Lewis D. Wheeler, Liam McNeill, Lucas Hedges, Matthew Broderick, Michelle Williams, Missy Yager, Nellie Lonergan, Oscar Wahlberg, Quincy Tyler Bernstine, Richard Donelly, Robert Sella, Ruibo Qian, Shawn Fitzgibbon, Stephen Henderson, Stephen McKinley Henderson, Susan Pourfar, Tate Donovan, Tom Kemp, Wendy Overly, William Bornkessel, Zain Ullah

Director: Kenneth Lonergan

Rating: R

The question mark in the title represents the central idea of this fascinating documentary: what if worshipping Satan is the only way of ensuring religious freedom for everyone?

That's what a group of young members known as The Satanic Temple believe, led by a determined and well-spoken Harvard graduate. They embark on a journey across the U.S. to challenge corrupt officials and the prevalence of religious biases in government agencies. They always request that their belief system (Satanism) is given the same favorable treatment as Christianity, effectively proving that authorities will really only accept a show of religion if it's one religion: Christianity.

But their intoxicating energy comes with costs: divisions within the organization and growing pains. This documentary perfectly illustrates not only a misunderstood religion (in the documentary it's referred to as "post-religion") but the difficulties of establishing grassroots movements in general.

Genre: Documentary

Actor: Anton LaVey, Bill O'Reilly, Billy Graham, Cecil B. DeMille, Chalice Blythe, Charlton Heston, Chris Hayes, Dwight D. Eisenhower, Geraldo Rivera, Greta Van Susteren, Jex Blackmore, Lucien Greaves, Malcolm Jarry, Mamie Eisenhower, Megyn Kelly, Mike Pence, Nicholas Crowe, Penny Lane, Rick Scott, Sal De Ciccio

Director: Penny Lane

Rating: R

Do today's political talk shows often feel like meek, scripted, and predictable affairs to you? Would you rather have that euphoric feeling you get when watching someone smart and eloquent talk about important ideas? Multiply that by two and you get Best of Enemies. In 1968, ABC covered the Republican National Convention in Miami Beach and the historic Democratic National Convention in Chicago by airing a 10-part series of nationally televised debates between two ideologically opposed and sharp-minded public intellectuals: Gore Vidal and William F. Buckley. The former was an ardent and openly bisexual liberal and progressive. The latter an elitist cultural conservative, whose magazine, National Review, vowed to always support the most far-right candidate viable for office. This confrontational set-up is not only credited with ushering in an era of pundit politics, but also with producing some of the most entertaining intellectual debate ever to be seen on TV. When's the last time you saw anybody unironically being called a “crypto-Nazi” on national television?

Genre: Documentary, History

Actor: Christopher Hitchens, Dick Cavett, Gore Vidal, John Lithgow, Kelsey Grammer, Noam Chomsky, William F. Buckley, William F. Buckley Jr.

Director: Morgan Neville, Robert Gordon

Rating: R

In a stunning and vivid (re-) introduction to the Black intellectual, author, and social critic, James Baldwin, this movie digs very deep into the American subconscious and racial history. It tells the story of America by telling the story of “the negro” in America, based on a book Baldwin started to write, which would have studied the famous assassinations of three of Baldwin's friends: Medgar Evers, Malcolm X, and Martin Luther King, Jr. He wrote about 30 pages before he passed away in 1987. Haitian director and activist Raoul Peck picked up the project and made it into a movie, earning him an Academy Award nomination. Narrated by none other than Samuel L. Jackson, I Am Not Your Negro highlights, at the same time, Baldwin's genius, his unique eloquence, and the beauty of his soul as a human being. It is a sad truth that Baldwin's denouncements feel as relevant today as they did 50 years ago. As such, this movie serves as a sobering reminder of how far America still has to go. A mesmerizing experience!

Genre: Documentary

Actor: Bob Dylan, Dick Cavett, H. Rap Brown, Harry Belafonte, James Baldwin, Joey Starr, Malcolm X, Marlon Brando, Martin Luther King, Martin Luther King Jr., Medgar Evers, Paul Weiss, Ray Charles, Robert F. Kennedy, Samuel L. Jackson, Sidney Poitier

Director: Raoul Peck

Rating: PG-13

To Hollywood's shame, it wasn’t until 1998 that a major feature made by Native American filmmakers was released. It was this charming indie gem that belatedly broke that new ground: based on author Sherman Alexie’s The Lone Ranger and Tonto Fistfight in Heaven, Smoke Signals retains the irreverent humor hinted at in its source material’s title while also being a genuinely heartfelt drama. Set across two cleverly interweaving timelines, it follows the fraught relationship between Victor and Thomas, two young men living on Idaho’s Coeur d’Alene Reservation who are forever linked by tragedy: as a baby, Thomas was saved from the house fire that killed his parents by Victor’s father Arnold (a great Gary Farmer), who soon spiraled into alcoholism and abandoned his young son. When Arnold dies suddenly, then, the duo embark on a perspective-changing road trip to collect his ashes.

Thomas’ nerdy earnestness and happy-go-lucky personality have always gotten on the nerves of the stoic Victor — who’s eaten up by resentment at his father for leaving — but the trip brings the disparate duo together. Though the movie honors their meaningful journey with a serious dramatic focus, it’s also shot through with sharp humor satirizing clichés about Native American people — a tonal complexity that makes it uncommonly accomplished, even without the added value of its all-too-rare perspective.

Genre: Comedy, Drama

Actor: Adam Beach, Cody Lightning, Cynthia Geary, Elaine Miles, Evan Adams, Gary Farmer, Irene Bedard, John Trudell, Michael Greyeyes, Molly Cheek, Perrey Reeves, Robert Miano, Simon Baker, Tantoo Cardinal, Tom Skerritt

Director: Chris Eyre

Rating: PG-13

Martin Scorsese — plus screenwriter Paul Schrader, editor Thelma Schoonmaker, and cinematographer Robert Richardson — reimagine nocturnal New York City as an eternally flaming circle of hell in this darkly funny fever dream. Frank Pierce (Nicolas Cage) is an insomniac paramedic who’s haunted by the ghosts of all the lives he couldn’t save and is on a nightmarish run of losing every patient he tries to help. There’s no respite for him anywhere; he’s so burnt out he begs to be fired, but the city is so desperate they won’t let him leave their tired ranks of medics, who are mostly jaded, sometimes sadistic, and yet still addicted to the euphoric high of saving a life.

As Frank is pushed ever closer to breaking point, the film takes on the hallucinatory qualities of his perspective, the cinematography growing feverish and the editing powered by a wild, manic energy. What stops the movie from feeling like a spiral into actual hell is the strange light that keeps Frank returning to work — the perpetual need for redemption and grace that prevents him from becoming cold to his job but makes his sanity fragile. In typical Scorsese-Schrader style, this is a raw, visceral, and very human search for grace in an unsparing urban hellscape.

Genre: Drama, Horror, Thriller

Actor: Afemo Omilami, Aida Turturro, Aleks Shaklin, Andy Davoli, Antone Pagán, Arthur J. Nascarella, Bernie Friedman, Betty Miller, Brian Smyj, Bronson Dudley, Catrina Ganey, Charis Michelsen, Cliff Curtis, Craig muMs Grant, Cullen O. Johnson, David Zayas, Ed Jupp Jr., Floyd Resnick, Frank Ciornei, Fuschia!, Graciela Lecube, Jack O'Connell, James Hanlon, Jesse Malin, John Goodman, John Heffernan, Jon Abrahams, Joseph P. Reidy, Judy Reyes, Julyana Soelistyo, Larry Fessenden, Leonid Citer, Lia Yang, Marc Anthony, Mark Giordano, Martin Scorsese, Mary Beth Hurt, Mary Diveny, Marylouise Burke, Matthew Maher, Melissa Marsala, Michael Carbonaro, Michael Kenneth Williams, Michael Mulheren, Mtume Gant, Nestor Serrano, Nicolas Cage, Omar Scroggins, Patricia Arquette, Phyllis Somerville, Queen Latifah, Raymond Cassar, Richard Spore, Sonja Sohn, Sylva Kelegian, Terry Serpico, Theo Kogan, Tom Cappadona, Tom Riis Farrell, Tom Sizemore, Ving Rhames

Director: Martin Scorsese

Rating: R

From Aaron Sorkin, the creator of every liberal's favorite 2000s political drama, The West Wing, The Social Network, and the master of the “walk and talk”, comes the dramatization of a sadly true American story from the mid-last century. In 1968, different groups from all over the country travelled to Chicago to protest the Vietnam War at the Democratic National Convention. The Chicago police greeted them in full riot gear, purposely attacking the peaceful protesters. Five months later, eight of them (charges against Black Panther leader Bobby Seale were dismissed) were arrested for inciting riot. As the title suggests, the film details the trials that followed, which highlight the still ongoing battles within American society and politics: racism, ineptness, corruption, complacency, you name it. On a lighter note, while you wouldn't necessarily call this an ensemble cast, the number of unlikely familiar faces in this film is off the charts: Yahya Abdul-Mateen II, Sascha Baron Cohen, Joseph Gordon-Levitt, Eddie Redmayne. It also features some of the greatest supporting actors in American TV history like John Carrol Lynch, Frank Langella, and the amazing John Doman aka Bill Rawls from The Wire.

Genre: Drama, History, Thriller

Actor: Alan Metoskie, Alex Henderson, Alex Sharp, Alice Kremelberg, Ben Kass, Ben Shenkman, Blair Lewin, Brady Jenness, Brandon Fierro, Brendan Burke, C.J. Wilson, Caitlin Fitzgerald, Christian Litke, Damian Young, Danny Flaherty, David Fierro, Ed Flynn, Eddie Redmayne, Edward Fletcher, Frank Langella, Gavin Haag, J. C. MacKenzie, James Pravasilis, Jeremy Strong, John Carroll Lynch, John Doman, John F. Carpenter, John Quilty, Joseph Gordon-Levitt, Juliette Angelo, Kate Miller, Kathleen Garrett, Keeley Morris, Kelvin Harrison Jr., Kevin O'Donnell, Larry Mitchell, Lex Elle, Mark Rylance, Max Adler, Meghan Rafferty, Michael A. Dean, Michael Keaton, Michelle Hurst, Mike Brunlieb, Noah Robbins, Sacha Baron Cohen, Shawn Parsons, Steve Routman, Tah von Allmen, Tiffany Denise Hobbs, Wayne Duvall, Yahya Abdul-Mateen II

Director: Aaron Sorkin

Rating: R

Focusing squarely on two families and a select few health workers, The First Wave gets intimate access to the fears and anxieties of individuals trying to contend with the effects of the initial outbreak of the coronavirus in New York. That these characters also tend to belong to already vulnerable sectors in the United States isn't a superfluous detail—as director Matthew Heineman illustrates (without the use of detached talking heads interviews) how proper responses to a global pandemic like this one are still hampered by capitalist interests, and racist and xenophobic institutions built into American society. All of these obstacles make every setback and every moment of progress in these characters' lives feel absolutely crucial, making for an emotionally overwhelming experience.

Genre: Documentary, History

Actor: Al Sharpton, Andrew Cuomo

Director: Matthew Heineman

One of the most thrilling biographical films to come out of Hollywood in the 2020s, Shaka King's exhilarating take on a truly remarkable leader within the Black Panther Party—and the young man who would eventually be twisted into betraying him—also provides a respectful, honest space to voice out progressive views that still aren't fully embraced in the United States. Much of the film is made up of beautiful, powerful rhetoric, contrasting in fascinating ways with scenes of violence or deception that only remind us how ahead-of-his-time chairman Fred Hampton was and still is. And in a thunderous, Oscar-winning performance, Daniel Kaluuya brings all of Hampton's words roaring to life while still reminding us of how tragically young this inspirational figure was at the time of his death.

But Judas and the Black Messiah tells an equally powerful second story over this one: that of FBI informant William O'Neal who reluctantly agrees to sell Hampton to the feds, and quickly realizes that he's been scammed too. Rivaling—and, arguably, besting—Kaluuya's performance is LaKeith Stanfield, whose tortured and increasingly despairing performance as O'Neal is the stuff of pure Shakespearean drama. Together, both stories ask us what real freedom looks like, and that we believe we can still fight for it.

Genre: Drama, History

Actor: Algee Smith, Amari Cheatom, Amber Chardae Robinson, Ashton Sanders, Caleb Eberhardt, Chris Hahn, Daniel Kaluuya, Darrell Britt-Gibson, Dominique Fishback, Dominique Thorne, Graham Lutes, Ian Duff, James Udom, Jermaine Fowler, Jesse Plemons, Khris Davis, Lakeith Stanfield, Lil Rel Howery, Martin Sheen, Nicholas Velez, Nick Fink, Robert Longstreet, Terayle Hill

Director: Shaka King

Mark Ruffalo, Anne Hathaway, and Tim Robbins star in this well-executed and eye-opening drama based on a true story. Robert Bilott (Ruffalo) is a successful corporate lawyer in New York. He is visited by a distressed farmer from his hometown in Cincinnati whose cows have been developing strange behaviors and diseases. Robert decides to take on this case in what will become one of the biggest class-action lawsuits in the country: the use of cancerous chemicals by the company that commercializes Teflon (the stuff in pans). Excellent acting in an incredibly frustrating but necessary story that will trouble you more than any other legal thriller you have watched in the past: prepare to be outraged (and throw away your pans).

Genre: Drama, History, Thriller

Actor: Abi Van Andel, Aidan Brogan, Amy Morse, Amy Warner, Angel Kerns, Anita Farmer Bergman, Anne Hathaway, Barry G. Bernson, Barry Mulholland, Bill Camp, Bill Pullman, Bret Aaron Knower, Brian Gallagher, Buz Davis, Caleb Dwayne Tucker, Carly Tamborski, Chaney Morrow, Clara Harris, Courtney DeCosky, Daniel R. Hill, David Fultz, David Myers Gregory, Denise Dal Vera, Elizabeth Marvel, Geoff Falk, Glen Yrigoyen, Greg Violand, Jason M. Griggs, Jeffrey Grover, Jim Laprelle, Joanne Popolin, John Newberg, John W. Harden, Jon Osbeck, Karen Koester, Kathleen Ellerman, Keating P. Sharp, Kelly Mengelkoch, Kevin Crowley, Lea Hutton Beasmore, Louisa Krause, Lyman Chen, Marcia Dangerfield, Mare Winningham, Mark Ruffalo, Matt Hudson, Michael Joseph Thomas Ward, Michael King, Mike Seely, Ming Wang, Ramona Schwalbach, Richard Hagerman, Robert Gerding, Scarlett Hicks, Sheryl Annette Colley, Steven Schraub, Teri Clark, Tim Robbins, Victor Garber, William "Bucky" Bailey, William Jackson Harper, Wynn Reichert

Director: Todd Haynes

Rating: PG-13

This is the latest Oscar-nominated movie by Spain's highest-regarded director, Pedro Almodóvar. It's his most personal work to date, being a slightly fictionalized account of his youth and then the last couple of years. He is mostly portrayed by Antonio Banderas, who was also nominated for an Oscar for this role; while another star performance comes from Penélope Cruz who plays his mother in the flashback scenes. Pain and Glory is about life in the arts: how a tormented artistic personality is formed, the days of focusing on work over relationships, and dealing with the consequences later in life. It begs the question: in Almodóvar's life, was the glory that got him to making as great of a movie as this one worth the pain?

Genre: Drama

Actor: Agustín Almodóvar, Antonio Banderas, Asier Etxeandia, Asier Flores, Cecilia Roth, César Vicente, Constancia Céspedes, Esperanza Guardado, Esther García, Eva Martín, Fernando Iglesias, Julián López, Julieta Serrano, Leonardo Sbaraglia, Nora Navas, Paqui Horcajo, Pedro Casablanc, Penélope Cruz, Raúl Arévalo, Rosalía, Susi Sánchez, Xavi Sáez

Director: Pedro Almodóvar

Rating: R

Proving that children's entertainment can be legitimate art like any other kind of cinema, the sequel to 2014's Paddington displays a stronger love for community and storytelling than many other adult-oriented productions. It may be cutesy and innocent, but Paddington 2 also uses its stunning visual effects and intricate production design to prop up a sophisticated story about discrimination, staying true to one's self, and (most surprisingly) the prison-industrial complex. It's a proper throwback to another era of family movies that offers something far more substantial to young children and genuinely moving moments for the parents and children at heart.

Genre: Adventure, Comedy, Family, Kids

Actor: Aaron Neil, Alex Jordan, Ben Miller, Ben Whishaw, Brendan Gleeson, Cal McCrystal, Catherine Shepherd, Claire Keelan, Dan Antopolski, David J Biscoe, David Sant, Deepak Anand, Eileen Atkins, Enzo Squillino Jr., Geoffrey Lumb, Gus Brown, Hiten Patel, Hugh Bonneville, Hugh Grant, Imelda Staunton, Jag Patel, Jamie Demetriou, Jessica Hynes, Jim Broadbent, Joanna Lumley, Joel Fry, Julie Walters, Justin Edwards, Kobna Holdbrook-Smith, Kya Garwood, Louis Partridge, Madeleine Harris, Maggie Steed, Marie-France Alvarez, Meera Syal, Michael Gambon, Michael Mears, Nadine Marshall, Nicholas Lumley, Nicholas Woodeson, Noah Taylor, Peter Capaldi, Richard Ayoade, Robbie Gee, Sally Hawkins, Samuel Joslin, Sanjeev Bhaskar, Shola Adewusi, Simon Farnaby, Stephen McDade, Tim Fitzhigham, Tom Conti, Tom Davis

Director: Paul King

This small-scale but incredibly fun 88-minute drama from 2003 is about a group of Latino teenagers who grow up in New York’s Lower East Side.

Victor lives with his eccentric grandmother, which sometimes gets in the way of him pursuing Judy, his dream girl.

The actor who plays Victor is called Victor Rasuk, the one who plays Judy is called Judy Marte. This is a film so personal that both main characters needed to be named after the actors who play them.

Genre: Drama, Romance

Actor: Donna Maldonado, Jeff Knite, Joe Rosario, Judy Marte, Kevin Rivera, Melonie Diaz, Silvestre Rasuk, Victor Rasuk, Wilfree Vasquez

Director: Peter Sollett

Rating: R

A relevant and deeply entertaining movie that only has the appearance of being about politics. In reality, it is about television, and one brilliant journalist’s pursuit of the perfect interview.  Richard Nixon stepped away from the public eye after the Watergate scandal, and was counting on a series of interviews three years later to redeem himself. His team assigns an unlikely reporter to sit in front of him, a British reality TV host named David Frost. Both men have everything to gain from this interview by going against each other, as Frost tries to extract a confession of wrongdoing in Watergate that Nixon never gave.  Who will win? The master manipulator or the up-and-coming journalist? Frost / Nixon was originally a play, and this adaptation is full of drama and boosts great dialogue.

Genre: Drama, History

Actor: Andy Milder, Clint Howard, Eloy Casados, Frank Langella, Gabriel Jarret, Gavin Grazer, Geoffrey Blake, Jenn Gotzon Chandler, Jim Meskimen, Kate Jennings Grant, Keith MacKechnie, Kevin Bacon, Mark Simich, Matthew Macfadyen, Max Elliott Slade, Michael Sheen, Oliver Platt, Patty McCormack, Penny L. Moore, Rance Howard, Rebecca Hall, Sam Rockwell, Simon James, Toby Jones, Wil Albert, Yvette Rachelle

Director: Ron Howard

Rating: R

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.

The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.

It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

Genre: Action, Adventure, Drama, Horror, Science Fiction, Thriller

Actor: Ahn So-hee, An So-hee, Baek Seung-hwan, Cha Chung-hwa, Chang-hwan Kim, Choi Gwi-hwa, Choi Woo-shik, Choi Woo-sung, Dong-seok Ma, Eui-sung Kim, Gong Yoo, Han Ji-eun, Han Sung-soo, Jang Hyuk-jin, Jeon Ye-eun, Jeong Seok-yong, Jung Seok-yong, Jung Young-ki, Jung Yu-mi, Kim Chang-hwan, Kim Eui-sung, Kim Jae-rok, Kim Joo-heon, Kim Joo-hun, Kim Ju-hun, Kim Keum-soon, Kim Soo-ahn, Kim Soo-an, Kim Su-an, Kim Won-Jin, Lee Joo-sil, Lee Joong-ok, Ma Dong-seok, Park Myung-shin, Sang-ho Yeon, Seok-yong Jeong, Shim Eun-kyung, Sohee, Soo-an Kim, Soo-jung Ye, Terri Doty, Woo Do-im, Woo-sik Choi, Ye Soo-jung, Ye Su-jeong, Yeon Sang-ho, Yoo Gong, Yu-mi Jeong, Yu-mi Jung

Director: Sang-ho Yeon, Yeon Sang-ho

Rating: Not Rated

With its 69-minute runtime, ultra-minimalist approach to camera movement, and dialogue so sparse it could fit onto a single page, the first word that comes to mind when describing The Match Factory Girl is “lean.” The second word is “bleak”: for most of the film’s slight duration, we watch as the lonely titular character (Iris, played by Kati Outinen) passively endures a relentless barrage of cruelties, whether from her coldly detached parents, callous love interest, or simply fate itself. 

And yet, these words — apt descriptors of the film as they are — only capture part of what makes The Match Factory Girl such a magnetic and unforgettable watch. When a late twist sees the film swerve into even darker territory, director Aki Kaurismäki’s twin approaches fuse into one that’s greater than the sum of its parts. Rendered in his characteristic deadpan style, the shocking event becomes sardonically funny — a gutsy move that only a real master of tone, as Kaurismäki is, could pull off.

Genre: Comedy, Drama

Actor: Elina Salo, Esko Nikkari, Kati Outinen, Klaus Heydemann, Outi Mäenpää, Reijo Taipale, Richard Reitinger, Silu Seppälä, Vesa Vierikko

Director: Aki Kaurismäki

Georgian dance has cut-throat competition: the art form is dying even within Gerogia, and to make it, dancers compete to join the one duo that represents the country. The chance finally comes and the spot opens up, igniting the hopes of performers from around the country. Mervan is one of them, a young dancer from a poor background who takes food from his restaurant job to feed his family. His main competition is a newcomer, Irakli, who also comes from a difficult background and hopes to secure the spot to provide for his ill father.

When their lives hang on them competing against one another, Mervan and Irakli fall for each other.

And Then We Danced is full of incredible dance sequences that add to the beauty of the romance at its center; but it's also a heartbreaking exploration of unfulfilled ambition.

Genre: Drama, Romance

Actor: Aleko Begalishvili, Ana Javakishvili, Bachi Valishvili, Giorgi Tsereteli, Mate Khidasheli, Ninutsa Gabisonia, Tamar Bukhnikashvili

Director: Levan Akin

Rating: 12

Shia Laboeuf and Stellan Skarsgård star in this true story about one of the greatest tennis matches in history: the 1980 Wimbledon final. The movie dissects what drives both competitors (one played by Laboeuf and the other by Sverrir Gudnason). Their personalities, considered opposites, are studied through their paths and how they got into tennis. All this leads to that one match, in this beautiful story of dealing with competition and fear of failure. Don’t stop watching when the credits roll, read what they say!

Genre: Drama, History

Actor: Anders Berg, Ben Bradshaw, Bjorn Granath, Bob Boudreaux, Colin Stinton, Dag Malmberg, David Bamber, Ian Blackman, Iva Šindelková, Jackson Gann, James Sobol Kelly, Jamie Marshall, Jane Perry, Janis Ahern, Leo Borg, Marcus Mossberg, Mats Blomgren, Robert Emms, Roy McCrerey, Scott Arthur, Shia LaBeouf, Stellan Skarsgård, Sverrir Gudnason, Thomas Hedengran, Tuva Novotny, Wille Glyt, Zuzana Geislerová

Director: Janus Metz, Janus Metz Pedersen

Rating: R

The original Swedish mystery thriller that was later remade by David Fincher. It's the same story of a wealthy man hiring a journalist and scrappy hacker to solver a murder, but told better. This version is slower, has more attention to detail and pace. In casting, authenticity triumphs over good looks. In staging, aesthetics are given as much importance as thrills. And in the story, intelligence wins over plot. This gives the main character of Lisbeth Salander (played by Noomi Rapace) better space to deploy her full mysticism and enigmatic nature. Danish director Niels Arden Oplev masterfully brings everything together to make for a movie that will forever be remembered.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexandra Pascalidou, Annika Hallin, Barbro Enberg, Bjorn Granath, Christian Fiedler, Daniel Abreu, David Dencik, Emil Almén, Ewa Fröling, Fredrik Ohlsson, Georgi Staykov, Gösta Bredefeldt, Gunnel Lindblom, Henrik Knutsson, Henrik Kvarnlöt, Ingvar Hirdwall, Jacob Ericksson, Jan Mybrand, Jannike Grut, Julia Sporre, Kalled Mustonen, Karl Oscar Törnros, Lena Endre, Lennart R. Svensson, Louise Ryme, Margareta Stone, Marika Lagercrantz, Michael Nyqvist, Michalis Koutsogiannakis, Mikael Rahm, Nina Norén, Noomi Rapace, Pale Olofsson, Peter Andersson, Peter Haber, Reuben Sallmander, Shaun R.L. King, Sofia Ledarp, Sovi Rydén, Stefan Sauk, Sven-Bertil Taube, Tehilla Blad, Tomas Köhler, Willie Andréason, Yasmine Garbi

Director: Niels Arden Oplev

Rating: R

Between 1967-1975, a group of Swedish filmmakers traveled to America to document the Black Power movement. The resulting archival footage of Black activists and intellectuals, including Bobby Seale, Huey P. Newton, Eldridge Cleaver, and the amazing Angela Davis, was hidden in an archive until it was unearthed and woven together by Göran Olsson, a Swedish director. Angela Davis also supplies some contemporary voice commentary alongside many others, such as Erykah Badu, Harry Belafonte, and The Roots drummer and rap culture's No. 1 record keeper Questlove, who also co-scored the film. This adds to the mixtape feel of the film as does the raw and unfiltered piecing together of the historic footage, giving the viewer an authentic impression of the movement and the struggles of the time. Being Swedish, the filmmakers dared to go where American mainstream TV might have never gone.

Genre: Documentary, History

Actor: Angela Davis, Bobby Seale, Erykah Badu, Harry Belafonte, John Forte, Kathleen Cleaver, Melvin Van Peebles, Sonia Sánchez, Stokely Carmichael, Talib Kweli

Director: Göran Olsson

Rating: Not Rated

This masterpiece from Norwegian director Joachim Trier is a clear-eyed movie that takes place in one day in the life of a 34-year-old. Anders, a recovering drug addict, gets to leave his rehab facility for the first time to take a job interview. He visits friends, tries to meet his ex, and goes to the interview. With every interaction, you get to know him more and understand that what he's going through is shared with everyone he meets. At 34, Anders feels it is too late to turn his life around, and so do his friends. He just happens to be a drug addict.

Genre: Drama

Actor: Aksel Thanke, Anders Borchgrevink, Anders Danielsen Lie, Hans Olav Brenner, Ingrid Olava, Kjærsti Odden Skjeldal, Malin Crepin, Øystein Røger, Petter Width Kristiansen, Renate Reinsve, Tone Beate Mostraum

Director: Joachim Trier

Rating: Not Rated

Based on Fredrick Backman's 2012 best-selling book of the same name, this Swedish hit comedy-drama introduces us to Ove, an elderly man who feels like his life is over. After losing his wife, the short-fused retiree spends his days grumpily enforcing block association rules in his neighborhood. He is your typical unhappy, old neighbor, somebody you would try to avoid. One new family does not give up and befriends Ove, played by an impeccable Rolf Lassgård, despite his best intentions to put them off. As the plot unfolds, however, you learn more about the story behind the man, and, in classic walk-a-mile-in-his-shoes fashion, start to find him rather loveable. After all, nobody is born grumpy and cynical. Naturally, this is a sweet and sentimental film. But an amazing lead performance and a charming, darkly funny script rescue it from drifting too far off the shore. The result is a wholesome, fun, and thoughtful dramedy with a beautiful message.

Genre: Comedy, Drama

Actor: Anna Granath, Bahar Pars, Borje Lundberg, Chatarina Larsson, Christoffer Nordenrot, Erik Ståhlberg, Filip Berg, Fredrik Evers, Ida Engvoll, Jerker Fahlström, Jessica Olsson, Johan Friberg, Johan Widerberg, Karin de Frumerie, Klas Wiljergard, Magnus Sundberg, Maja Rung, Poyan Karimi, Rolf Lassgård, Simon Edenroth, Simon Reithner, Sofie Gällerspång, Stefan Godicke, Tobias Almborg

Director: Hannes Holm

Rating: PG-13

Danish films somehow have a unique approach to emotions that are rarely matched and this Susanne Bier-directed drama is no exception. Its protagonist is Jacob Peterson, a driven idealist played by Mads Mikkelsen, who runs a fledgling orphanage in India. Close to giving up, Peterson returns to Copenhagen to meet a billionaire, who is offering to fund his charity project. However, there is a dark secret at the heart of this relationship, throwing Peterson into disarray. This elegant and Academy-Award-nominated Danish film has it all: fantastic cast, great direction, and a few special ingredients that turn a good drama into a thrilling one!

Genre: Drama

Actor: Anne Fletting, Christian Tafdrup, Claus Flygare, Erni Arneson, Henning Jensen, Henrik Larsen, Ida Dwinger, Jonatan Spang, Julie R. Olgaard, Mads Mikkelsen, Marie-Louise Coninck, Mona Malm, Neel Rønholt, Neeral Mulchandani, Niels Anders Thorn, Rita Angela, Rolf Lassgård, Rolf Lassgård, Sidse Babett Knudsen, Stine Fischer Christensen, Swini Khara, Tanya Sharma, Thomas Voss, Troels II Munk

Director: Susanne Bier

Rating: R

Without context, Minbo, or the Gentle Art of Japanese Extortion seemed like a goofy satire, especially when the silly trumpet score pops up, and unfortunate hotel employees Suzuki and Wakasugi flounder around trying to solve the hotel’s yakuza problem on their own. And when Nobuko Miyamoto shows up as the brilliant lawyer, it’s so satisfying to see her turn the tables on the yakuza purely through words, strategy, and knowledge of law. It’s hilarious, but Minbo doesn’t just poke fun– it demystifies the gangster as a cool and untouchable figure, portraying them instead as loudmouthed bullies that we can handle. It also shows us how much can be done, only if we, as a group, perhaps as a whole nation, can muster the courage to fight.

Genre: Comedy, Crime

Actor: Akio Tanaka, Akira Nakao, Akira Takarada, Guts Ishimatsu, Hideji Ōtaki, Hōsei Komatsu, Kōji Sekiyama, Masahiko Tsugawa, Noboru Mitani, Nobuko Miyamoto, Shigeru Yazaki, Shirō Itō, Takehiro Murata, Tetsu Watanabe, Toshiro Yanagiba, Yasuo Daichi, Yuji Miyake

Director: Jūzō Itami

Surreal, strange, yet wondrous, Penguin Highway never takes a straightforward approach to its story. Penguins pop up out of nowhere, leading the nerdy and precocious Aoyama to study them via empirical observation and logical deduction. These studies don’t end up with a feasible explanation– in fact, by the final act, the film abandons all laws of physics. But the journey to that act feels intuitively right. This journey feels like an indescribable formative experience. Aoyama may be obsessed with growing up and committing to the reasonable adult mindset, but he is still a child. From fending off bullies to forming connections with others, his childhood imagination served him better than science could. The film reveres this discovery as well as it should.

Genre: Adventure, Animation, Comedy, Drama, Fantasy

Actor: Hidetoshi Nishijima, Kana Kita, Landen Beattie, Mamiko Noto, Megumi Han, Miki Fukui, Misaki Kuno, Naoto Takenaka, Rie Kugimiya, Winston Bromhead, Yu Aoi

Director: Hiroyasu Ishida

Rating: Not Rated

Fun and whimsical to its core, this animated film takes viewers on a visually captivating, surreal, and enchanting journey through a single night in Kyoto. The movie immerses you in an entertaining and eccentric world with its vibrant animation, characters, and offbeat humor following two unnamed characters only referred to as "The Girl with Black Hair" and "Senpai." The narrative weaves together various quirky encounters, love interests, and strange events, keeping you engaged and curious. Blending romance, comedy, and coming-of-age themes, Night Is Short, Walk On Girl is a joyous celebration of youth, adventure, and the unpredictable nature of life's unexpected twists and turns.

Genre: Animation, Comedy, Drama, Fantasy, Romance

Actor: Ami Koshimizu, Aoi Yuki, Chikara Honda, Gen Hoshino, Hiroshi Kamiya, Hiroyuki Yoshino, Junichi Suwabe, Kana Hanazawa, Kazuhiro Yamaji, Kazuya Nakai, Masaaki Yuasa, Mugihito, Nobuyuki Hiyama, Ryuji Akiyama, Seiko Niizuma, Yuhko Kaida

Director: Masaaki Yuasa

Rating: PG-13

This is a very nice movie about a lovely older couple named Tom and Gerri. It follows their lives for an entire year, as they work at their jobs, invite friends over for dinner, and work in their garden. They live modest but fulfilling lives, and they seem mostly happy and very much in love, a rarity in the movies. This probably sounds horribly boring to most people, but since Mike Leigh is the director, the film is instead a touching and realistic portrayal of love and how people spend their time together. We should all be so lucky as to live a life as charmed as the central couple in this film.

Genre: Comedy, Drama

Actor: Badi Uzzaman, Ben Roberts, David Bradley, David Hobbs, Edna Doré, Eileen Davies, Gary Powell, Imelda Staunton, Jim Broadbent, Karina Fernandez, Lesley Manville, Martin Savage, Mary Jo Randle, Meneka Das, Michele Austin, Oliver Maltman, Peter Wight, Phil Davis, Ralph Ineson, Ruth Sheen, Stuart McQuarrie

Director: Mike Leigh

Rating: PG-13

Francois Cluzet, who you may remember from The Intouchable, plays a man whose wife is killed and is accused of murdering her. To make matters even more confusing, signs that his wife is actually still alive surface. This well thought out thriller is at all times the furthest thing from boring and has, among other great components, well crafted chase scenes as the protagonist looks for 8 years of unanswered questions.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexandra Mercouroff, André Dussollier, Anne Marivin, Brigitte Catillon, Christof Veillon, Danièle Ajoret, Dorothée Brière, Éric Naggar, Eric Savin, Florence Thomassin, François Berléand, François Cluzet, Gilles Lellouche, Guillaume Canet, Hugo Sélignac, Jalil Lespert, Jean Rochefort, Jean-Noël Brouté, Jean-Pierre Lorit, Joël Dupuch, Kristin Scott Thomas, Laurent Lafitte, Ludovic Bergery, Marie-Josée Croze, Marina Hands, Martine Chevallier, Mikaela Fisher, Nathalie Baye, Olivier Marchal, Philippe Lefebvre, Samir Guesmi, Sara Martins, Thierry Neuvic

Director: Guillaume Canet

Rating: Unrated

In the sexy, slick, and sharp-witted Out of Sight, a never-better George Clooney plays Jack Foley, a career bank robber who pulls off heists based on pure charm alone. His charisma is so powerful it even turns the cat-and-mouse game he plays with federal marshal Karen Sisco (Jennifer Lopez) into a seductive dance. Karen is no easy mark, though: she’s a tough agent who’s used to being underestimated by the men she works with. The sizzling connection that sparks between her and Jack is gripping precisely because it threatens to break the basic logic both live their lives by: he a slippery criminal, she a no-nonsense professional. Clooney and Lopez’s naturally electric chemistry is supercharged by the fact that the film never slips into sentimentality, always keeping their will-they-won’t-they amour at a tantalizing distance until the decisive moment. A crime caper with many strings to its bow — among them sizzling romance and brilliant dialogue brought to life by a dazzling supporting ensemble — this is a masterfully entertaining ride from director Steven Soderbergh.

Genre: Comedy, Crime, Romance

Actor: Albert Brooks, Betsy Monroe, Brad Martin, Catherine Keener, Chic Daniel, Connie Sawyer, Deborah Smith Ford, Dennis Farina, Don Cheadle, George Clooney, Isaiah Washington, James Black, Jennifer Dorogi, Jennifer Lopez, Joe Chrest, Joe Coyle, Joe Hess, Keith Hudson, Keith Loneker, Luis Guzman, Manny Suárez, Mark Brown, Michael Keaton, Mike Gerzevitz, Mike Malone, Nancy Allen, Paul Calderon, Philip Perlman, Samuel L. Jackson, Sandra Ives, Steve Zahn, Thelma Gutiérrez, Ving Rhames, Viola Davis, Wayne Pére, Wayne V. Johnson

Director: Steven Soderbergh

Rating: R

Leave No Trace is the amazing new movie from the director of Winter's Bone, Debra Granik. It's the story of a father and his daughter who live completely off the grid in a national park in Portland, and their quiet quest to not be separated and remain off the grid. It's not the sensational, tear-jerker story that you'd expect something with this premise to be. Rather, and like Winter's Bone, it chooses a humane and realistic approach to the subject matter. The decision to live outside society is almost irrelevant to this movie. More so, its inevitability for certain people with certain mindsets is what is interesting. A stunningly quiet movie, really well-acted too.

Genre: Drama, Mystery

Actor: Alyssa McKay, Art Hickman, Ayanna Berkshire, Ben Foster, Dale Dickey, Dana Millican, Debra Granik, Derek John Drescher, Isaiah Stone, Jeff Kober, Jeffery Rifflard, Michael Draper, Michael J. Prosser, Spencer S. Hanley, Thomasin Harcourt McKenzie, Thomasin McKenzie

Director: Debra Granik

Rating: PG

Martin Scorsese had just spent a year prepping for The Last Temptation of Christ when Paramount Pictures unceremoniously pulled the plug on the movie just one month before production was due to start. After Hours was Scorsese’s way of exorcising all that disappointment and frustration, and you can feel it: this black comedy vibrates with manic intensity as it charts a night from hell in the life of Paul (Griffin Dunne), a somewhat scuzzy yuppie living in ‘80s New York City.

In keeping with its title — which suggests the movie is suspended in temporal limbo — After Hours feels like it takes place in some mythological hellscape, a demonic underworld in which everyone Paul meets has been sent forth with the express mission to make his life more miserable. Surreal coincidences pile up, deepening his paranoia and turning his simple goal of returning home into a labyrinthine quest for survival on the deserted, rain-soaked streets of SoHo. It’s the kind of celluloid nightmare that terrorizes and thrills you at the same time (a la the Safdie brothers’ best works, which draw inspiration from After Hours). Only a director of Scorsese’s caliber could turn profound professional disappointment into such a win as this.

Genre: Comedy, Drama, Thriller

Actor: Bronson Pinchot, Catherine O'Hara, Charles Scorsese, Cheech Marin, Clarence Felder, Dick Miller, Frank Aquilino, Griffin Dunne, Henry Judd Baker, John Heard, Larry Block, Linda Fiorentino, Margo Winkler, Martin Scorsese, Murray Moston, Paula Raflo, Robin Johnson, Rocco Sisto, Rockets Redglare, Rosanna Arquette, Teri Garr, Tommy Chong, Verna Bloom, Victor Argo, Victor Bumbalo, Victor Magnotta, Will Patton

Director: Martin Scorsese

Rating: R

How do you get rid of an irremovable stain? In Lodge Kerrigan’s psychological thriller, characters shave the dirt off in hopes of returning things to their original pristine state. In the process of doing so, however, permanent damage is incurred, which begs the question: is the eradication of filth correspond to cleansing?

Through erratic editing and an unsettling sound design, not only does Clean, Shaven put its audience in the disturbed mind of the protagonist Peter Winter, it also effectively depicts his struggle (and inability) to retain sanity amidst a prejudiced society. The film contrasts post-Cold War paranoia with the nobility of paternal love, and finds tragedy in Peter’s futile attempts to prove his “cleanliness” in a world intent to brand him as dirty.

Genre: Crime, Drama, Thriller

Actor: Alice Levitt, Eliot Rockett, Ismael Ramirez, J. Dixon Byrne, Jennifer MacDonald, Karen MacDonald, Molly Castelloe, Peter Greene, Peter Lucas, Rob Benevides, Robert Albert

Director: Lodge Kerrigan

With a premise straight out of a cheesy sci-fi B-movie, you wouldn't expect Little Shop of Horrors to be a bona fide spectacle, and yet its tale of a wish-fulfilling yet bloodthirsty plant remains as thrilling and intense as ever. More importantly, Alan Menken and Howard Ashman's rock-musical songs remain boisterous and theatrical, gleefully performed by Rick Moranis, Ellen Greene, Steve Martin, and Levi Stubbs. And buried underneath all this is a comedy with a heart of darkness and a legitimately disturbing morality tale.

Musicals and horror movies are genres that typically cater to a more niche audience, but Little Shop of Horrors should be fun enough to draw anybody in, thanks to the film's impressively tactile sets, director Frank Oz's knack for physical comedy, and animatronic special effects that look better than most CGI creations today. As both a horror movie monster and a massive puppet, the vicious plant named Audrey II is entirely worth the price of admission, no matter which version of the film you seek out.

Genre: Comedy, Drama, Horror

Actor: Barbara Rosenblat, Bertice Reading, Bill Murray, Christopher Guest, Danny John-Jules, Edward Wiley, Ellen Greene, Heather Henson, Jill Goldston, Jim Belushi, John Candy, John Scott Martin, Kevin Scott, Levi Stubbs, Mak Wilson, Michelle Weeks, Miriam Margolyes, Rick Moranis, Steve Martin, Tichina Arnold, Tisha Campbell, Tisha Campbell-Martin, Vincent Gardenia, Vincent Wong

Director: Frank Oz

Hirokazu Koreeda can do no wrong. The director of Shoplifters and Still Walking is a master of dissecting complex family dynamics through a handful of events. In Our Little Sister, three close sisters who live at their grandmother's house learn that their absent father has passed. They travel to the mountains to attend his funeral and meet their half-sister, Suzu, for the first time. Suzu is invited to live with the sisters and join their bond.

This movie is a true-to-the-form slice of life, it's almost drama-free. This absence of plot is an absence of distractions: the sisters are all that matters to Koreeda. His only focus is on how this family becomes bigger, sees past grief, and how the group of close-knit sisters that grew up together can make room for a new addition.

Genre: Comedy, Drama, Family

Actor: Fukiko Hara, Haruka Ayase, Ichirō Ogura, Jun Fubuki, Kaho, Kaoru Hirata, Kentaro Sakaguchi, Kirin Kiki, Lily Franky, Maeda Oushirou, Masami Nagasawa, Masumi Nomura, Midoriko Kimura, Mikami Saya, Oshiro Maeda, Ryō Kase, Ryohei Suzuki, Shinichi Tsutsumi, Shinobu Otake, Suzu Hirose, Takamitsu Nonaka, Yuko Nakamura, 中春优子

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: PG

La Cérémonie is the kind of thriller you can watch repeatedly and glean new insight from each time. Right from its first scene, there’s something puzzling about the buttoned-up Sophie (Sandrine Bonnaire) that narrows your focus and pulls you in. What’s remarkable is that, even after the secret Sophie's keeping that seems to explain her strangeness is revealed, our intrigue never dips. Director Claude Chabrol and his cast construct a gripping twin character study and biting social commentary around that initial hook, as Sophie finds a kindred spirit in the equally uncanny Jeanne (Isabelle Huppert), who opens her eyes to the slyly patronizing way Sophie’s employers treat her.

The film’s study of class relations is always subtle, never veering into over-pronounced territory. That much is clear from the fact that, although some of Sophie’s employer’s family are quite likable, you still understand the ways they’re inextricably embroiled in the film’s quiet indictment of the power dynamics that rule this lofty mansion. More nuance comes by way of the strikingly nonchalant ways evil is depicted in La Cérémonie — just another example of the movie turning something expected (violence is foreshadowed early on) into something that remains viscerally shocking, no matter how many times you watch it.

Genre: Drama, Thriller

Actor: Christophe Lemoine, David Gabison, Dominique Frot, Isabelle Huppert, Jacqueline Bisset, Jean-François Perrier, Jean-Pierre Cassel, Julien Rochefort, Sandrine Bonnaire, Valentin Merlet, Virginie Ledoyen, Yves Verhoeven

Director: Claude Chabrol

Rating: NR

This tender, autobiographical coming-of-age story about a working class family in post-war Liverpool is Terence Davies’ masterpiece—evoking memories through a series of loosely connected scenes that highlight the joys and woes of growing up. It is comprised of two films shot two years apart. The first details the tribulations of a young family surviving an abusive father in the ‘40s. The second part follows the kids grown up and finding their way in the ‘50s, and the influence of music and cinema on their lives. Davies uses a series of beautifully composed tableaux to tell the tale, which bring the setting and the characters intimately to life. Distant Voices, Still Lives is regarded as one of the greatest British films of all-time.

Genre: Drama, Music

Actor: Alan Bird, Andrew Schofield, Angela Walsh, Anne Dyson, Bill Moores, Carl Chase, Dean Williams, Freda Dowie, Ina Clough, Jean Boht, John Michie, Lorraine Ashbourne, Matthew Long, Michael Starke, Nathan Walsh, Pauline Quirke, Pete Postlethwaite, Roy Ford, Sally Davies, Susan Flanagan

Director: Terence Davies

While quite testing for viewers, this is one of the craziest, most high-energy movies you'll ever watch. In this incredible German drama, child actor Helena Zengel plays Bernadette aka Benni, a traumatized 9-year-old child who tends to lash out and has been repeatedly suspended from every school she went to. Benni is a so-called “Systemsprenger” (which is the original German title). A system crasher is a child so uncontrollable and aggressive that, over time, she falls through the grid of special schools, foster care, and social work facilities. Despite the best efforts of her designated social worker, Frau Bafané, played by Gabriela Maria Schmeide, she is turned down by everyone, testing the patience of her surroundings, wherever she goes. A trip with Micha (Albrecht Schuch), a tough boxer and anger-management trainer, turns out to be the last resort. Directed by Nora Fingscheidt, System Crasher is intense, punky, and wild with an almost eerie sense of authenticity. Its devastating effect is helped along by its unique, hyperactive camerawork. Much like the social workers themselves, you might have a hard time keeping professional distance to all this. This intense drama will stay with you for a long time.

Genre: Drama

Actor: Albrecht Schuch, Axel Werner, Barbara Philipp, Bärbel Schwarz, Bruno Thiel, Cederic Mardon, Gabriela Maria Schmeide, Gisa Flake, Helena Zengel, Imke Büchel, Jana Julia Roth, Julia Becker, Lisa Hagmeister, Louis von Klipstein, Maryam Zaree, Matthias Brenner, Melanie Straub, Moritz Thiel, Peter Schneider, Roland Bonjour, Steffi Kuhnert, Tedros Teclebrhan, Till Butterbach, Victoria Trauttmansdorff

Director: Nora Fingscheidt

Rating: 12